How the Author Use Style Tone and Imagery in Frankenstein Paper Example

Introduction

A good literature work is one that uses beautiful language, potent symbols, and vivid description. It should also have deep meaning and able to evoke feelings to the readers. Therefore, it should have compelling ideas and a theme which is well explained. Also, the grammar and style used should be proper. In illustrating these qualities, the second edition of Frankenstein by Mary Shelley is used to show how style, tone, and imagery are used in writing as discussed below;

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Style

It refers to the methods used by the author to narrate or write a story, and it is what distinguishes one writer with the other. Firstly, Mary Shelley used the first person to write the lines selected for the analysis. For example, "I had gazed on him while unfinished" also "I passed the night wretchedly" (Shelly 36). The use of "I" is the one that signifies the application of the first person in her writings.

The use of descriptive writing style can also be identified from this piece of work; Mary described the creature in her dream in a manner that an image of what was happening is created in the mind of the reader. Therefore, the reader is capable of having a deep understanding of how the creature under her dream was unattractive. For example; "He was ugly then: but when those muscles and joints were rendered capable of motion, it became a thing such as even Dante could not have conceived" (Shelly 36). Also, she described what she was going through in a very elaborate way as shown "Sometimes my pulse beat so quickly and hardly, that I felt the palpitation of every artery: at others, I nearly sank to the ground through languor and extreme weakness" (Shelly 36). It shows the reader how scared she was to the extent of having a fast heartbeat.

Also, the diction in her writing was excellent because the word choice was very subtle such as; the use of "lassitude" to mean how fatigue she felt. Moreover, good constructive sentences were used in Frankenstein where she used both long and short sentences like; "I passed the night wretchedly" (Shelly 36) is an example of a short sentence. The importance of the use of style was to make Mary's work to be outstanding and the reader think critically about her work.

Tone

Author's tone is another quality that makes literature impressive. It refers to the writer's emotion and attitude towards the central theme of the writing work. Sound can, therefore, emerge from elements like figurative language, diction, syntax, and imagery applied in the literature.

In Frankenstein, Mary used a scared tone to describe how frightened she was by the dream that is "Sometimes my pulse beat so quickly and hardly, that I felt the palpitation of every artery" also "I had gazed on him while unfinished" (Shelly 36). Those words can only be said in a scared tone to maintain the theme of fear that the context was trying to reveal to the audience.

To conclude, Mary used such sound to influence what she was writing to aid the audience grasp and perceive the intended theme of the book. Therefore, it can be said that the tone used in the literature work gives the reader a vivid elaboration about the disposition and personality of the character. In this book, Mary is the character under review, and her personality traits can be identified from the tone. Thus, it can be said that she was a spooked lady (Shelly 36).

Imagery

It refers to a term applied by the author in his or her writing to elaborate actions, ideas or objects to make it more appealing to readers' five physical senses that are sight, taste, smell, hearing, and touch. Simile or metaphor is the building block of imagery. Also, it is referred to as a figurative language, and it is more of a mental picture.

An example of imagery used by Marry in her book Frankenstein is; "I gazed on him while unfinished; he was ugly" (Shelly 36). The word "ugly" is a visual image that appeals to the readers' sense of sight. The other perfect example is when she said that "I felt the bitterness of disappointment: nearly sank to the ground through languor and extreme weakness" (Shelly 36) the word bitterness in the context affects the audience sense of taste. Also, she made the book appealing to the readers' sense of touch when she said that "Sometimes my pulse beat so quickly and hardly, that I felt the palpitation of every artery" (Shelly 36) this because one can only feel her or his pulse by placing two fingers on his or her wrist and this an act of touching.

Mary also used imagery to create a mental image in the minds of the audience through the descriptive writing she used in Frankenstein. The incident was evident when she elaborated how restless and frightened she was by the ugly creature in her dream that is; "Sometimes my pulse beat so quickly and hardly, that I felt the palpitation of every artery; at others, I nearly sank to the ground languor and extreme weakness" (Shelly 36). The act of the pulse beating at higher rate signifies fast heartbeat and the cause may be because an individual is experiencing stress, anxiety or fear. In our case, therefore, Mary's reason for quick pulse was because she was scared by the creature in her dream. She even stated that no human could support such an ugly appearance.

Conclusion

In conclusion, the use of style, tone, and imagery in literature aids to distinguish one author's work from the other and ratings on the quality of their writings is gauged on how good one uses the properties. Therefore, Mary can be said to be among the outstanding authors in history because of her appropriate application of style, imagery, and tone in Frankenstein hence, developing a good flow of the book (Shelley 36).

Work Cited

Shelley, Mary. Frankenstein. Ed. J. Paul Hunter. 2nd Norton Critical Edition. 1823.

Extracted Lines

Oh! No mortal could support the horror of that countenance. A mummy again endued with animation could not be so hideous as the wretch. I had gazed on him while unfinished; he was ugly then; but when those muscles and joints were rendered capable of motion, it became a thing such as even Dante2 could not have conceived.

I passed the night wretchedly. Sometimes my pulse beat so quickly and hardly, that I felt the palpitation of every artery; at others, I nearly sank to the ground through Languor and extreme weakness. Mingled with this horror, I felt the bitterness of disappointment: dreams that had been my food and pleasant rest for so long a space,