Introduction
The poetry piece "Mexican is not a noun" by Francisco X is very informative since it presents to the readers how it is challenging to be Mexican, their real factors, and social difficulties. In the poem, the author says that being Mexican is neither a noun nor a descriptive word; it is a verb which is an action word. Verbs are activities, the writer is stating to the audience that being a Mexican is about activities; notwithstanding, for them, their activities are seen with an antagonistic point of view in light of individuals' feeling, regularly a negative one. Francisco X. Alarcon presents a piece of the truth of Mexicans in as far as employment is concerned. He says that Mexican life is long low-paying employment. This gives the readers the possibility that they cannot land great positions, employments that can give them more chances, more pay. Likewise, in numerous parts of the poem, the writer utilizes negative words by giving the negative meaning of being Mexican; for instance, it is conceivable to see this when he says that it harms, it annoys, it consumes (Alarcon). This paper will look at the elaborate stylistic devices utilized in the Poem and ways by which the author associated with the readers through the route of the social test of racism confronting the Hispanics in present-day society.
Fight for Racial Equality
Francisco X Alarcon has composed numerous sonnets of a wide range of things. "Mexican is not a noun" has a ton of intensity and a ton of history concerning racial equality. At the point when he begins the poem, one can feel this energy that he put in his composition. He commits this poem to forty-six students and seven individuals from the laborers who were captured for supporting workers who worked in a cannery. This poem talks of the word as well as of the sentiments and suppositions that accompany it. He discusses it is a lifestyle and that one feels torment after hearing this word. Additionally, what one thinks about this word?
At last, it says that it is anything but a thing yet that it is an action word. At the point when you initially read this sonnet, you can feel that there is a significant message that the writer gives individuals. In the quality of this message, readers can perceive what is once in a while among individuals. It shows how frequently individuals feel that a word doesn't sound good to them or a gathering of individuals; however, that for some others, this can have extraordinary importance (Alarcon). With this word, he shows that we who are white or American see it as a method for naming individuals. According to Mexicans, this word conveys significance past only a name. This word is a method for living a method for being. Indicating that we need to consider what we state or what we consider words.
Literary Devices
The author uses several stylistic devices in the writing of this poem making it very interesting and captivating to the readers.
Imagery
The author uses sensory language in his writing that makes it easy to relate and evokes the reasoning of the readers. The first image used in the poem is the cannery. The workers on cannery paint an image of a society thrust in struggles and suffering whereby the community lives by the mercies of their captors (Alarcon). They, however, just like the foods that they can; they must withhold their feelings and keep silent even in the face of such tribulations.
Symbolisms
The author in this poem explores the use of symbolism through the use of such words as a nail in the soul. The author writes, "More than a word a nail in the soul" (Alarcon). The use of nail, in this case, symbolizes pain and the degree of suffering that the Mexicans are subjected to simply because of their race. They have to endure all this like a nail in the soul with no hope of ever getting better. The condition of Mexicans in America moves the author.
Connotation
The author in this poem focuses on how the word "Mexican" is used all through. The author argues that the name Mexican is neither a nun nor an adjective. It is a verb, which is a doing word. This pint shows that indeed the word is more connotative and denotative. Therefore, it is critical to appreciate the fact that the author has struggled to put most of the lessons together.
Personification
The author has given the name "Mexican" some life. He makes the word Mexican has a weighty role in the literary world by making it prominent in human life. The author writes about "Mexican," it hurts, it points, it dreams, it offends, it cries" (Alarcon). True to the writing of this poem, Mexican is not just a mere noun but hold way much more than just that.
Conclusion
The author has succeeded in showing the role of stylistic devices in showcasing the place of racism concerning Mexicans. The hurt and struggle relating to the same is shown through their low pay and demean. The clerical call here is to ensure that the Mexicans are given fair treatment just like the rest of the Americans.
Works Cited
Alarcon, Francisco X. "'Mexican' Is Not a Noun by Francisco X. Alarcon." Poetry Foundation, Poetry Foundation, www.poetryfoundation.org/poems/53882/mexican-is-not-a-noun
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