Death in Venice brings a story about the nature of art and the artist. Aschenbach, Death in Venice character, is expressed to be on holiday, and the story that is rising is that holiday was one of the things he hadn't indulged in for an extended period. He is stodgy and repressed in looking for inspiration from an artist. In the story, Tadzio is recognized to be a fourteen-year-old who is obsessed and not in love with a man who was older and believed in him to be the ideal. As ridiculous as Aschenbach turned out to be, however, he still possesses the understanding that death at the end of the story cannot be avoided. The feeling in the league exists with the Venetians who are denying cholera in the city and death, in the long run, this is to keep tourists in the city. He can rejoice in the fact that Tadzio is one of the delicate ones that won't enjoy his life to adulthood. Both Tadzio and Venice are a reflection that death can touch everything, regardless of beauty as nature. Death is their essence is made acceptable
Aschenbach Death in Venice: Dynamic vs Static Character
Interestingly at the beginning of the story, Aschenbach is identified as he is and he is viewed as the moral, dignified and hardworking individual. Although, over the course of the story, character changes as the individual he is attracting in his life bring about a different shift in the manner he saw himself. Form a deeper view; I dont recognize Aschenbach as an individual who is so much obsessed with the boy in a sexual manner, rather I can see him as a character that is yearning for the beauty he was having in his youth. Through the story, this turns out to be more than apparent to see the old man and group of young men, and in one of the celebrations. The story shows that he was at all a youth, and all the perception that was directed to him was an old man who was actually beyond doubt, in possession of a face with wrinkles and with eyes identified to be like a crow's feet. The brown hair, a wig and the dull carmine of the cheeks was a rouge, the neck was sinewy and shrunken, Imperial were dyed and his yellow double row teeth he was able to bring out during his laughter exposed an obviously false set which was cheapish. Of all the things, he had no right of wearing or even pretending to be one of them.
The fact is that he is trying to bring out an older man's presence, though he is not able to do so since he is in real sense disgusted with him and not content with what he is doing. In his attempt to bring restoration to his youth, he receives a makeover, but he is not able to recognize that he's not the same as the man he is judging; someone is old and trying to become young. Death in Venice by Thomas Mann is a presentation of an artist with a fascination for beauty that can overpower all of his senses. On the other hand, the attraction Aschenbach has for Tadzio can be expressed as a symbol for his love that he had for Venice as a city. However, the city is also full of corruption, and through all the bad things that are happening in the city, it is revealed that the corruptive element is killing the city.
Death in Venice Themes
Concentrating on the theme of love, Aschenbach first showed his love for Venice during the time he felt like he must travel to one of the gay world playgrounds which are located in the lovely South since the south to him meant exciting and new. Since he was living a life recognized as structured life in Germany, a life filled with precision and older tradition. Through the life he dreamt, he had a great feeling that was always driving him to move so has to enjoy the experience of a different aspect and new life.
Symbols That Relate to Setting in Death in Venice
In fact, the story through the life Tadzio lived is a great symbol of the city; the amazing thing is that the Sea that is bordering Venice is detailed. As a reader I can learn the negative aspects of Venice and Tadzio. A close look that Aschenbach made on Tadzio revealed that the boy is sickly and he made a negative prediction that he will not be able to live for a long time, what Aschenbach failed to realize is that the city was also sick as well. This dawned on him the moment he discovered that the city through cholera outbreak had covered his infestation. Through the experience Aschenbach had and the life that was encountered in the city, we realize that both the city and Tadzio had a character that was conflicting. One in which idealistic beauty is infected by the newly recognized corruption. The amazing part is that the individuals who were beholding this beauty, for example, Aschenbach, will experience the negative impact that crime is associated with.
Theme of Death in Death in Venice
The death of Venice as a story that focuses more on mortality in many different ways expresses an apparent physical death that is brought by cholera and different cyclical death as a result of nature, in the end, it's a spring while in the beginning things start with an autumn. A kind of death is expressed through the ego experienced in Gustav dreams. On the other hand, Venice itself shows a personification of death, and death is perceived as the leitmotif terms generated by music. Additionally, death is also demonstrated in the idea that the traveler is moving to the end of a journey which is tiresome and full of fatigue. Critically, Venice is one of the forbidden spots that is inexorably sinking the beneath water and is full lagoons which are constantly stagnant , with the city being recognized by a relatively rotten scent, half snare and half fairy that can hide sickness resulted by the love of gain
Being that Tadzio is viewed as unearthly beauty, a boy who is sick, that is also represents a Death in Venice theme of sickness, and possibly there are no hopes but a possible destiny of early death, the truth is that even a perfect human being cannot run away from death and even one from a young age cannot run away from death. The irony is that if death is the end of everything then why do people spend life morality fixtures and fail to enjoy their life. With Aschenbach going deeper and deeper on the love he has for Tadzio, the bond of responsibility is broken. Ideally, such beauty that exists in the face of decay, actually, makes Aschenbach question his art and his life, he is longing to become better and regain his youthful nature in the face of one who has decayed. He throws structure and caution to the wind and starts to live through a drive that was much more a passion rather than the current moral responsibility and views this as an art and not denial.
The story of Aschenbach's passion for Tadzio in relation to the ladder of love theory can be expressed through the regrets Aschebanch had once he saw Tadzio, he regrets letting his youth to slip away when comparison is made to the fresh, unblemished beauty that Tadzio possessed. Aschenbach finds himself turning out to be old and withered, and he is not able to come to his realization on how old he has become until he sees Tadzio. All of the immediately different thoughts run through his mind and realize that he has lost a lot and he was growing late that he was unable to recapture the youthful feelings and looks, yet throughout the surface, Aschenbach is not struggling. This makes him do nothing but to seek in ways that could provide pleasure to him. He applies makeup to make him look much younger and goes to the barber so that his hair could be dyed. On the other hand, he was able to trade sensible clothing for clothes that showed a representation of Tadzio and in performing such action turned out to be one of the young old men whom he used to criticize early before, this makes him ridiculous.
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Analytical Essay on the Love, Desire, Passion in the Death in Venice. (2021, Jun 23). Retrieved from https://proessays.net/essays/analytical-essay-on-the-love-desire-passion-in-the-death-in-venice
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