The Portrayal of Human Love in the Poem Lady Mary Wroth's Pamphilia to Amphilanthus

According to Smith et al. (79-102), Pamphilia to amphilanthus depicts a collection of poems composed by a renowned female poet Mary Wroth. As the story unfolds in the poem female lover, Pamphilia whose voice dominates in the entire poem ultimately focuses on the relationship with the disloyal Amphilantus. Wroth in the whole poem, portray the human love as a natural concern which when cultured bring an absolute change in the lives of human being in the entire society. Notably, wroth through Pamphilia portray the power of human love which deems uncontrollable, Amphilanthus whose unfaithful nature is quite known to the public wins Pamphilia heart in the poem. Pamphilia is dawned with a mixed feeling of love and hate towards his counterpart, but through the natural adore she ultimately decides to accept and love him instead. Wroth demonstrates a confused sense of jealousy and doubt through the protagonist Pamphilia concerning Amphilantus with the human notion to transform him into faithful being. As the story ends in the sonnet, Pamphilia who believes in the power of love employs the virtue to nurture and turn individuals into reasonable and faithful people in the society such as Amphilantus (Smith et al.79-102).

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Dominant themes and metaphors

The in-depth analysis of the sonnet as presented by Wroth, depict the idea of love and friendship as a central concern in interspersing some incidences in the entire society (Miller et al. 45-60). Pamphilia, on one account being the royal queen, the societal expectation demands honor and love of the whole partners in the society. Interestingly, the Pamphilia appear to be one who is utterly disappointed as depicted in the poem revealing that she is married to the wrong man who is unfaithful and unreliable, but the affectionate and the love propel her to adopt the human attitude and opt to transform her instead. On the other hand, the in-depth analysis unravels how Wroth employs a metaphoric approach to expose how the responsibility and gender affect individuals in the society. The ultimate use of the childbirth metaphors as depicted in the ancient culture and how it trends in the modern society. It is imperative to note that as the story unravels in the entire sonnet, reveal that most female personalities such as Pamphilia branded the male-authored image of the childbirth portrayed as the male characters in the manner in which responsibility revolves around them. The last comparison between the female personalities in the modern situation and the existed ones in the seventeenth century shows complete gender discrepancies of male and female images of childbirth and miscarriage. Similarly, wroth presents the images as a form of metaphors which depicts the real-life situation of the birth and miscarriage (Miller et al. 45-60).

Effect of Wroth was a woman in the poem

The ultimate effect of that the poet creates in the poem reveals that indeed wroth was a woman. Notably, some of the standard features such as the song in the poem provide following account of events which primarily portray the feminine characteristics in the entire society. Songs dominated the whole verse which seems associated with the feminine traits as the absolute way to address the jealousy and doubts seen as the core source of conflict in the entire poem. The whole feeling in the poem is somehow sympathetic, and the poet describes the situations and the dark tones accompanied with the unfaithful incidences which portray the general sense of doubt. Such somber feelings across the entire sonnets in the poem depict the poet more of a woman than the man. Similarly, the general effect of the poet creates in the poem under being a woman is basically to unravel the hard times most women undergo in the hand of the male counterparts in the entire society.

Wroth living in the seventeenth century during the period when the entire community was dominated by the male who look down upon the women in the entire society reveal the massive suffering the women underwent in the hands of men. The male personalities in the entire sonnets as presented by wroth indicates a shift in the love paradigm from a traditional point of view where the female viewed as the objects often treated without the intent affection and care. Wroth, on the other hand, has merely modified the male character amphilanthus to adopt the negated and desired human life in contrast to unfaithful and inhuman lifestyle. Significantly, the technique commonly referred to as the crown of the sonnet where the male individuals such as amphilantus are given praises with the aim of transforming their behaviors. Wroth presents the gender victimization which befalls Pamphilia and literally cannot free her from the unfaithful amphilantus. Wroth in the entire poem introduces the female characters as inactive and helpless, and primary victims of another's behavior (Smith et al. 79-102). The attempt of the poet to reverse the responsibilities of the male and female still subjects the impatient state vulnerable to men's authoritative approaches. On the same account, wroth presents women as those who are quickly dealt with since they are` presented as silent and not allowed to voice.

Works Cited

Miller, Naomi J. "Rewriting Lyric Fictions: The Role of the Lady in Lady Mary Worth's Pamphilia to Amphilanthus." Ash gate Critical Essays on Women Writers in England, 1550-1700. Routledge, 2017. 45-60.

Smith, Rosalind. "Lady Mary Worth's Pamphilia to Amphilanthus: The Politics of Withdrawal." Ash gate Critical Essays on Women Writers in England, 1550-1700. Routledge, 2017. 79-102.