Camp Crip: A Disability Revolution film is a unique inspirational documentary amidst the sharp discrimination and institutionalization of people with disabilities. The film’s world premiere was at the Sundance Film Festival on January 23, 2020. The delay in the film’s official release was due to the closure of theatres due to the COVID-19 pandemic pushing its official release on March 25, 2020, by Netflix (Carter-Long). On its premiere at the Sundance Film Festival, the film was a recipient of the Audience Award. The film is directed as well as produced by Nicole Newnham and James LeBrecht, a spina bifida survivor. The film is produced under the Higher Ground Productions banner whose executive producers are Michelle and Barrack Obama. Similarly, the other directors of the film include Larry Allison, Hoilynn D’Lil, Deniss Billups, and Judith Heumann.
The film title “Camp Crip” is a real-life story envisioning the history of human rights groups concerning the film’s central theme of disability. At a ground-breaking teenage summer camp in the 1970s, the first platform and camp for the disabled (Carter-Long). This platform gave birth to a civil rights movement built to champion the interest and equality of people with disabilities. The camp’s exchange of ideas (Catskills) led to the explosion of the disabled teenagers from their confines from their marginalization. In the camp, there was the formation of a new path as well as a partnership for the disabled teenagers leading to a disability revolution whose inception was at the ramshackle summer camp at Camp Jened. This disability revolution led to life-changing ordeals that ignite a landmark movement changing disability perception within society. In the camp, the teenagers generate the definition of disability, understand, and realize the need for independent living (Carter-Long). Further, through interaction, the group realize, learn, and explore responses to adversities amidst living with disability-related challenges. Additionally, the disability summer camp becomes an epitome of a landmark creation human rights group that champions the interest, needs, and requirements of disabled individuals in society.
The film portrays the summer camp composition of various disabled teenagers enrolling to sign up for the camp where they would meet with different counselors. In his first year at high school, he also attends the summer camp. At Camp Jened, an eye-opening experience, Jimmy reiterates “that the camp is an experience of a full life.” Due to their different handicap: polio, deafness, car crashes, and cerebral palsy the perpetual marginalized teenagers did not experience full life as they were limited from their social life due to their disability—the freedom and pleasure of doing things that were ordinarily not possible in their unusually sheltered lives(Tisi). The teenagers would fall in love, from their counselors learn how to kiss, interact fully without limits, as well as a hindrance. It is rather infamously known that the camp changed the world, and nobody knows this story.
According to Jimmy, one of the film characters is a young lad, outgoing, and boisterous. Jimmy’s childhood experience entails struggle moving up staircases just using his arms, riding in toy Thunderbird. Similarly, while attending public schools, disabled children would have difficulty boarding vehicles without ramps (Tisi). Likewise, Heumann, also one of the steering role characters, tries to make the camp interesting as any teenager with disability in New York with or without a wheelchair will get to the camp. Heumann strategizes battles with administration by planning a street sit down in attempts to stop traffic forming a huge circle cutting off the streets. There was no interest in ensuring equality for disabled as laws considered their interest to be expensive. The film depicts the movement battles as a front runner that oversees the passage of the Disability Act after two decades of struggle in the USA.
Works Cited
Carter-Long, Lawrence. “Sundance 2020: Inclusion, Diversity, and Disability beyond Diagnosis.” Film Quarterly, vol. 73, no. 4, 2020, pp. 75-81. www.researchgate.net/publication/342461351_Sundance_2020_Inclusion_Diversity_and_Disability_beyond_Diagnosis. Accessed 4 Aug. 2020.
Tisi, Vivian. “Celebrating Disability Activism on the ADA’s 30th Anniversary.” Leader Live (2020). leader.pubs.asha.org/do/10.1044/2020-0724-ada-30years-activism/full/. Accessed 4 Aug. 2020.
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