Historical Account of Slavery, Violence and Oppression in Conde on I Tituba

Slavery, violence alongside the destined oppression historically tends to subject the entire society into a distressful state of affair. It is imperative to note that, the novel Tituba is written based on the historical account and encompasses some of the thematic concerns with great revolutionary accounts on how Tituba lends power and how it is presented in the entire narrative (Jalalzai, 413-425). Following the in-depth analysis of the Conde one of the narratives in the novel, reveals a series of historical account and their implication in the lifestyle of individuals in the society. Maryse Conde in I Tituba tends to illustrate some of the significant complications which do arise due to the racial implication, gender as well as the spiritual implications. The historical account indicates that most of the ironical situations that revolve around Tituba touch on both the social-cultural as well as the historical demographics forms the central concern in various researches conducted.

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Imperatively, the historical account following the in-depth analysis of the Tituba's childhood all through her life indicates a strong woman who rots in Salem mass prison based on the social conscience which later allows her to narrate the tale (Jalalzai, 413-425). On the other hand, the several uprising situations precipitated the ancient slavery as narrated in the entire novel. Historically, Conde's Tituba whose lineage traced back to Barbados finds herself a black slave whose course backdated to the rape which occurred between her black mother and the white sailor. The massive inhumane vice which encompasses the entire novel has seen Tituba's mother hanged for attempting to prevent her rape cases for the second time.

The violence and slavery have seen the antagonist in the novel narrate a series of oppression and weird experiences that revolve around the prejudice laid on the women in the entire society. Based on the historical account, the setting of this novel occurs at a time when the slavery was at its pick, and several individuals suffered greatly following this inhumane behavior in that society. Interestingly, following Tituba's adventure and several attempts to enlighten the entire society to the immense dangers that accompany the outdated and the inhumane behavior toward the people affected in the entire society dint bear fruits. When she backdates the narration historically, her innate motive is to offer her expertise to help restore sanity in entire Barbados following the following the dangers slavery has brought to the people in the society. On the same account, a close looks into the generalized theories of non-colonial conversion which is the core guiding principle on the Tituba's come back to help salvage the entire Barbados community from series of oppression based on the colonial rules (Veldwachter, 228-239). The black witch of Salem originally known in the historical account tends to illustrate the abnormalities as well as the significant problems such as appropriation of the historical account which revolves around the political and general artistical accounts.

Significantly, according to Conde, another core contributing factors includes races alongside other societal demographics which contribute negatively to the societal degeneration (Veldwachter, 228-239). Conde in the entire novel pulls out some of the salient issues, ironies as well as the fictional aspects of the time to address the racial degeneration in the entire Barbados community through Tituba whom we have little access to historically. It is imperative to note that, some of the legal documents tend to explain how the fiction depiction can help us recognize the historical accounts to help shape the entire community to the massive oppression experienced in the entire society. History records it that, Tituba's historical plausibility in the entire narrative depicted one of the Conde's own making. The Conde's illustration which revolves around several dynamics of fictional, literary, historical or textual reveals how the racial segregation has in the past affected the normal operation of the individuals in the entire Barbados community.

On the same account, the novel Tituba tends to proclaim the historical truth since the victims of such vices do exist such as Tituba's mother who barely hanged following her refusal to rape on the second account. The Tituba's fantasy and an ultimate depiction of the puritans fully portray Tituba's reclamation an artistic approaches as well as one of the artistical and political choices. One of the most memorable moments depicted in the entire novel illustrates in the Conde, seen when Tituba resolve to make a comeback as a way to solve the periodic inhumane historical behaviors such as the racial prejudice as well as the slavery which encompasses the entire community (Reynolds, 66-74). Tituba basically as portrayed by the Conde in the novel is a figure who is wholly not admirable, indicative to the postmodern lifestyle. The postmodern approach defines the applicable motive which drives Tituba's ambition to enlighten the community with regards to the dangers the members of the society is subjected to dues, slavery, racial degeneration a well as spirituality. Conde's characterization and the general implication revolve around the fiction as part of the historical accounts and acts as the postmodern binoculars which provide an effective lens to capture the entire prejudice which seems to have encompassed the entire novel.

Similarly, following the in-depth analysis of Conde in the entire novel unravels the historical accounts also based on the sexuality which has proven to have an immense contribution to the constant deterioration of the societal lifestyle. Imperatively, the sexuality which started with Tituba's mother suffering series of rape cases amid the renaissance period in the 16th century presents a core theme in the whole narrative of the novel. Tituba, a mixed descent personality and a slave owned by Samuel Paris who was possible purchased in Barbados provide the clear account on the massive injuries, torture, suffering as well as the pain often experienced in the novel(Pitt, 9-12). Upon being referred to as the black witch form the leeway to make the black people suffer massive prejudice accompanied by race, sexuality and general diminishing and inhumane behaviors. Progressively, the historical account surrounding Tituba's noble heritage and being one of the heroines whose uprising is fully vested in factious motives beyond the authentic expressions.

Conclusion

Ultimately, Conde presents an ethical and cultural heritage which explores a conflict arising from the clash between the whites, the natives as well as the whites and nonwhites who inhabits Barbados at that time. It is imperative to note that, through the code in I Tituba and the factious account of the existence of Tituba, basically unravel the massive oppression among the individuals mostly women and the children in the society. Interestingly, the postmodern approach employed by Tituba in the novel tends to provide a clear insight on the oppression, prejudice as well as the massive suffering subjected on the women on the entire society (Pitt, 9-12).

Works cited

Jalalzai, Zubeda. "Historical Fiction and Maryse Conde's" I, Tituba, Black Witch of Salem"." African American Review 43.2/3 (2009): 413-425.

Veldwachter, Nadege. "Simone Schwarz-Bart, Maryse Conde, and Raphael Confiant in English Translation: Texts and Margins." Research in African Literatures (2009): 228-239.

Pitt, Kristen. "Resisting Colony and Nation: Challenging History in Maryse Conde's Moi, Tituba, sorciere... Noire de Salem." Atenea 27.1 (2007): 9.

Reynolds, Felisa Vergara. "The Lasting Effects of Colonial Violence: How Water Becomes Linked to Violence in Maryse Conde and Simone Schwarz Bart." Chimeres 29.1 (2006): 66-74.