Border Patrol officers have increasingly faced challenges while trying to protect the borders. The assertion has been evident from the emerging crisis of borders in various Western regions that have facilitated many sentiments of panic alongside fear. Also, the State has expressed its inability to control the influx of migrants along with various refugees who have ignored various security policies. In the text, "Boxcar” and "I.C.E./El Hielo," Gonzalez and La Santa Cecilia applies particular settings alongside irony to portray individual ethical decisions that Border Patrol officers face while undertaking their duties. From the reading, the emerging narrative ideologically justifies humanitarian borders as regions in which various aiding and rescue exercises work in collaboration with certain aspects of policing and rejection.
The settings of the texts describe the contemporary states of Colombian-Ecuadorian borderlands alongside Colombian-Venezuelan borders. (Sylvia 26) The authors affirm that it is the appropriate time to mitigate the experiences that individuals undergo while trying to enforce specific border control strategies to uphold the existing cultural infrastructures. The current crisis ignores the aspect of the emerging dysfunctionality of the regional asylum frameworks along with border architecture. For instance, in PEPE's response to FRANCISCO regarding why they opted on the barrels while going through the borders, the latter affirms that they only followed the rules of the land as contained in the States' cultural infrastructure (Santa 43). The response portrays the effectiveness of bureaucracy within the borders and the underlying impacts of the system.
However, an aspect of irony remains evident from how emergent of political situations within the regions undermines the overall safety of the migrants (Sylvia 31). The victims have increasingly faced multiple challenges within the regions regardless of the absence of public discourse discussion that has increasingly failed to achieve a particular dignity in times of significant crisis (Santa 38). Consequently, controlling mobility and humanitarian borders have revealed that the present crisis is a good business for the government and various private actors. They are involved in the provision of security infrastructure along with personnel.
Gonzalez and La Santa Cecilia present the actual technological, bureaucratic, and policing strategies that are mobilized by various security regimes in humanitarian borders to create a candid picture of individual experiences within similar sentiments. The text, therefore, clarifies existing enforcement approaches along with the security supply and the processes involved. It presents the experiences as challenging as it is viewed as an exclusive responsibility of nation-state that aims at bolstering the process of internationalization and privatization of security organs within the borders. Besides, the procedures facilitate state marginalization regardless of the presence of re-emerging nation-state ideologies. In turn, it categorizes the processes as integral parts of the globalizing effects of humanitarian border exercises. For instance, GUERO's narration regarding the demise of his father explains the existing humanitarian border operational frameworks. The character describes the ordeals that led to the demise of his father in Oregon.
From the text, it is evident that the number of crises we are exposed to is converse to the nature of the existing security architectures within a particular state. Therefore, the international actors within the borders find it more hard and challenging during certain political feuds. Thus, people develop the lifeblood of the underlying humanitarian system that controls the security states of the borders. The conceptual goals of the discipline have contributed significantly to inequality alongside the regeneration of crises, thus making people to be inclined to distinguishing the typical state actors, activists, and the humanitarians. The revelation has since excused most security personnel from the blames of exclusions and deaths.
The sentiment of the text create a candid distinction that worthy of attention and, in turn, evokes multiple ethe reinforced by state actors as well as humanitarian organizations that have been considered to be more criminalized than others. Thus, border policing as well as a humanitarian rescue are responsibilities of a similar order of expressions, which in turn make them occur in generous spaces that are under the guidance of exceptionalism and emergency. From the frameworks of the explained contingent geography, we get to understand the assertion of various protectionism regimes, which interferes with the individual freedom of movement.
Similarly, the text, "Detained in the Desert" by Josefina Lopez portrays the experiences that individuals undergo as far as Border Patrol agent activities are concerned. The text describes the experience that a 13-year-old veteran who was assigned to an agency's detention center for several weeks following the decisions of a team of the court who appoints lawyers (López 33). The narrative depicts the actual experiences that particular characters undergo in the Border Patrol processes. The individuals have experienced various outrages that have rolled out from various conventions aimed at saving the increasing number of negative reviews that people give on the border patrol exercises.
The experiences of individuals in various border patrol activities are explained by the narration of two characters who were detained in the desert and how they got to such places along with the impacts of such experiences in their life. The description of the political landscape of Arizona categorically provides the historical reviews of national conflicts that aimed at protecting the State of Arizona from despairing to support the war against rhetoric hate that was emerging in the State. The vice had resulted from the newly introduced legislation that exposed individuals to various instances of being exposed by the media. From the procedural evolution of SB 1070 as presented over the talk radios, the staged struggles between the U.S. Arizona-Mexico border that exist between some humanitarian activists along with the vigilante Minutemen groups, that second category have been known to actively get engrossed in sabotaging efforts that aim at demolishing Border Angels by focusing on shooting practices on the water containers left throughout the desert crossers (López 19). It, therefore, depicts the actual experiences that people experience in their bid to hold the existing decorum and operational frameworks of maintaining the political and cultural landscapes within the regions.
Conclusion
Also, the setting of Lopez's play describes cineteatro State (López 31). The term refers to writing that highlights the dramatic script keys along with the underlying cinematic elements like the sense of complete directed framing as well as editing like in the case of appearing jump cats. In return, the play expresses individual experiences regarding border patrol frameworks through the convening of various films and work that originate from various modes of reading to foreground the narrow frames of operations within the borders. Resultantly, dessert detention decisions have stirred the level of anti-immigration activities among the public through various international models as well as interpersonal relationships.
Works Cited
López, Josefina, and Jorge A. Huerta. Detained in the Desert & Other Plays. WPR Books, 2011.Santa Cecilia, I.C.E./El Hielo, 2013.
Sylvia Gonzalez, Boxcar/El Vagon, 2016.
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