Introduction
The spray of the hair has over the time been taken as a usual thing or just a lifestyle. It has been viewed as a media to add onto the beauty of the individuals who spray their hair. At the same time, most of the people who spray their hair also do it with the intention of keeping their hair healthy. This has promoted the spray of the hair, and because of the advancement of technology, other chemicals are coming into the use for the same purposes. The shower as well has importantly been applied in the musical arena by the female lead of the hairspray. The hairspray has been used to solve the racism in the artistic application of the plump teenager in the fight of the racial stands in the integrated Corny Collins show (Monnot et, al. 283-297). The prominent voices and the spray of the hair have made personalities of Tracy to outstand and to be identified in the production of the moving album. The hairspray has adjusted the art of the song giving it more taste. This has made the music attractive and makes the artist to be considered in the industry.
This kind of the personality boosting has given her the advantage in the winning of the Tony award since because of the performance people find the music loveable as a result of the live performances not just the inspiration of the vintage. The hairspray reveals that wealth of the female who is strong and this, in turn, lead to their characterization. From the performance, their hairspray is taken to shimmies and to shake the status of the full-blown girl (Dawe et, al. 119-130). Tracy who is the lead has an open mind with resilience attached to the determination which has been the key aspects the have propelled her winning of the dances on the TV show and inducing the Tracy mother to the feeling of acceptance and self-love.
On top of all these there some other critical importance of the hairspray as applied the musical production and performance which can be summarized in the following points:
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It encourages the importance of self-love
In the world that can seldom mean another thing to you, the hairspray reminds an individual of the self-love. This is evident in the actions of Tracy and Tunb lard. As Tracy is set for the performance at the show considered to give the favor to the slender women, Turnblad learns a great lesson concerning the love of one's self. The music moves her from a small position to the high level of owning a personal laundry and is raised to wealthier position even in the business. The, therefore, makes a constant reminder the given individuals to reflect on the love of themselves. For instance, Edna is involved in the practice of self-love by having the embracing the increasing image influenced reactions in society. This forms s theme that to date resonates with the people who are unsaturated with the perfections of oneself and the community that is curated in the digital age (Rose, et, al, 312-341). This shows the greatness of the love of oneself that is ignited in the people by the move of the music dancer's hairspray since the performer appears prestigious and to have absolute respect for herself. The power of the hairspray in encouraging the love of oneself is indisputable and is evidenced by the self-love that is portrayed by Tracy Turnblad who made up the mind to take after the performer and was not obstructed by all the other attempts that were made to ridicule her.
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The hairspray as well encourages romance.
The fact is that all human beings in one way or the other acknowledge the love and cherish it. It is considered essential for every normal individual to be loved and the failure to be loved on the other hand is likely to cause intimidation in some individuals. The hairspray can generally be said to be elaborately diffusing the spirit of love as the romance between Edna and Wilbur Turnblad is an extraordinary issue and is treated as unique by those audiences who were invited to attend the witnessing of the intimacy that the couple shared as they showed while performing "You are Timeless tome." The experience puts it clear that the appreciation and the devotion that they have shown much of love they had for one another that pierce into the cynical of the hearts. Seaweed and Penned as well had a share of a love story that touches. The romance that they had in the teenage was different from the one that was portrayed by Edna and Turnblad show their love was considered a taboo to the society (Dawe et, al. 119-130). The fact that Penny defies the mother to pursue a relationship is inspiring showing the strength that love can push an individual to though as well; it shows the warming of the heart which appears to foreshadow the change that is yet to come in the society.
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As well it follows the introduction of integration in society concerned
Hairspray is considered to marry with the fact that it segregates the issue of social racism as put forward by Negro day on the Corny Collins show that was canceled in the year 1992 without corporation with the programs of the host. This appears to be a complicated topic to handle in the ordinary situations otherwise the hairspray breaks it down to a level that can easily be digested to bring out the understanding of segregation on racism that the communities faced and adds to the stories of authenticity and honesty within the society. The impacts of the hairspray can be traced back into the year 1960 where the effect was more practical than the prettier days in which we have today. It is, therefore, an elaborative tool that is used to make more clarifications and to have the society understand complex issues in just a more straightforward way that is accommodative to their memory (Rose, et, al, 312-341).
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Hairspray also builds Parental love and the ultimate bond of family
One of the most challenging things to show on a performance stage is the love that is shared within the families since most of the viewers are likely to interpret them as just being stage managed. This very production has otherwise made possible to show the way the given parents can love their children in a way that is honest and beautiful having many parents being in a position to create relationships in comparison with the affections that are found in those families. For instance, as Edna Turnblad is portrayed to being in the position to want give protection to Tracy from anything that would be harmful, Prudy, on the other hand, shows parental love to Penny by having a set of rules that are believed will keep her safe from any other harm (Cook et, al. 821-833). Al of them is striving to give the best of precaution to their daughters. Again, Velma Von Tussell gives the encouragements to Amber just because she was interested in her excellence wanted her to achieve much the end of it all and at the same time, Moto mouth Maybelle stands out as a dominant female who shows great love to Inez who is the little one.
Conclusion
In general terms, it can be said rightly that hairspray is an arousing production that clarifies the subject themes in the music as well as the boosting of the musical numbers which are infectious. This is the combination that is fizzy and makes the hairspray a moving musical bit hence posing an attraction to the audience. The hairs praying is crucial in bringing the simplicity of the complicated issues and therefore an important instrument in ensuring that the intended underlying messages are met. The objectivity of the society as well relies on the ability of the communications made to be clear. In this case, therefore, it is essential to consider hairspray as a critical mirror in the society and should be developed more with the advancement of technology to ensure that more simplifications are brought forth for better engagement of the people. It should as be applied by all the artists to have all the intended messages that are sent to hears of the people through the songs are made more elaborate and more evident (Rose, et, al, 312-341).
Works cited
Cook, Ian. "Geographies of food: mixing." Progress in Human Geography 32.6 (2008): 821-833.
Dawe, Kevin. "The engendered lyra: Music, poetry and manhood in Crete." British Journal of Ethnomusicology 5.1 (1996): 93-112.
Gross, Robert L. "Heavy metal music: A new subculture in American society." The Journal of Popular Culture 24.1 (1990): 119-130.
Monnot, Catherine. "The Female Pop Singer and the "Apprentice" Girl: Learning "femininity" through pop music role models in France." Journal of Children and Media 4.3 (2010): 283-297.
Rose, Tricia. "A style nobody can deal with." Popular Music: Critical concepts in media and cultural studies (2004): 341.
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