Song Analysis Essay on "7 Years"

Introduction

Lukas Graham's song "7 years" contains inside it his life's story and his stresses to come. Visual and expressive gadgets are utilized all through his melody in arrange to precise his story and his questions around life. An important visual component spoken to all through the complete music video is its coloration. Colors depict an enthusiastic setting. The complete music video is shot in dark and white, colors that aren't regularly related to cheerful, happy topics. Subsequently, this isn't an upbeat or happy melody, it's a passionate one. The coloration precisely depicts the disheartening and pitiful characteristics of the expressive angle of the song.

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In the music video, the group utilized numerous explanatory devices in arrange to attain this. Within the starting, as the piano creates the opening consonant, before long to be taken after by the chord ownership, you see a burning book. Inside it are his memories and his past. You see him sitting alone within the theater, composing in his note pad as pages cascade all around him. He is encompassed by his past. The visual substance proposes that as he lives the life he can't offer assistance but grasp what it once was and how it influenced him. Ancient landmarks and buildings are moreover a really compelling visual component inside the video. Their eroded figure and corrupted structures recommend that his inconveniences have longingly influenced him (Vain, 2016). They've been with him for an awfully long time and don't appear to be going anyplace anytime soon.

Another curiously visual component experienced all through the starting of the music video is the nearness of blessed messengers. Numerous stone blessed messengers, most frequently seen all through the cemetery he visits, are seen. He looks at them with nearly a see of edginess or pity. Blessed messengers are frequently typical of trust providers and saviors. He may be looking at them for help. His composing around them may be an endeavor to free himself of these inconveniences, to cleanse his recollections. Afterward, within the video, another visual component rises, a "No Photos" sign posted on a phone post. Individuals are exceptionally affectionate of photographs, for the most part since they distinguish them as a secure keep for valuable recollections. The reality that the sign says no photographs are permitted may recommend that Lukas doesn't need to keep in mind a lion's share of his past, as that appears to be his current and most impressive issue. He can't offer assistance but reflect on its troublesome contents.

Inevitably he visits a cemetery. The takes off have fallen and the trees are uncovered. At to begin with it appears he is as it were there to visit a past adored one, but he contains an exceptionally impossible to miss way of doing so. He leaves a letter on the ground and after that sets it on fire. He really burns the letter on a blessed messenger doll. He may think that blessed messengers may carry his letter for him. The letter may be a visual element characteristic of a memory that came from the scratch pad he was composing in prior within the video. All through the complete tune he expressively notices his guardians broadly and the life advice they gave him. Maybe he is going to them at the cemetery and taking off them a letter. Burning it is his way of sending it to them. The cemetery is additionally a visual component speaking to his vexed past. He needs to lay it to rest, but as the tune advances, it is exceptionally discernible that he hasn't calm figured out how to do so.

Visual components alone cannot tell his life's story, that's why he utilized verses to suit the symbolism. As a child of seven, his mother told him to go out and make a few companions. By seven most of us, or at slightest the larger part of us have as of now succeeded in doing so, whether that be inviting children living down the square or garrulous classmates. The reality that his mother had to tell him to form a few companions may propose that he was or maybe modest as a child. He sings "It was a huge, huge world, but we thought we were bigger" (Lukas, 2015) recommending that at a youthful age he unconsciously expected that the world spun around him, as most children do. Whereas realizing that this isn't genuine is most frequently a breakthrough in advancement and development, it might have been all as well overpowering for him as he notices that at a youthful age he was "smoking herb and drinking burning liquor". Numerous individuals have strategies of managing with push and uneasiness. Utilizing substances was his strategy of adapting to altering and move (Vain, 2016). This strategy of adapting with stretch and uneasiness may have as it was driven to assist complications down the road.

Later in the song, he notices how him, counting others were "out to create that relentless figure". This can be expressive implies of saying he needed to be wealthy and critical to numerous others. Individuals regularly look for popularity and wonderfulness when they can't discover these qualities inside themselves. All of these issues are long-standing and have disturbed Lukas through most of his life, which is once more spoken to by the ancient buildings and landmarks. He has battled to discover absent to free himself of this weight. Almost halfway through the music video he's seen performing with his companions, encompassed by a cheering group of onlookers. Life is frequently as well burdensome to bargain with alone and it appears he's found that companions give cherish and back. Finding companions that not as it got it what you're going through, but can relate to you is essential.

Additionally, in the music video, Lukas is seen composing in his note pad at night. Cutting edge pop culture regularly recognizes the night time as a minute of fervor and celebration, be that as it may for Lukas Graham it appears to be a time when his past comes back to him. As the sun sets his questions take over, and his essential outlet for managing with these questions is to compose almost them. He's afterward seen tossing the exceptionally same note pad into the air out of dissatisfaction. This can be an agent of his not needing to be frequented by his past any longer. He needs to move on with his life. To you take note the dynamic city within the foundation. This speaks to his separation from the rest of the world (Vain, 2016). At times he truly fair appreciates being on his claim, getting away the dangers of life and society.

Afterward, he is seen within the exceptionally same put; as it were the sun has risen. Sunshine has taken over. He's still composing in his notebook and really tares a page out of his note pad and tosses it off of the cliff edge. This might be however another sign of him needing to free himself of his past. The same page that he tossed is at that point seen folded upon the ground close the daily paper containers. It is right around at that point that he notices his story had been told. The letter lights and starts to burn, which is typical of his starting to move on with his life.

Towards the conclusion of his song, when he sings approximately being in his idle sixties, you see an ancient man. This outwardly depicts his maturing. He ponders whether or not as time advances he will get to be negative around life. It is around this time that he's seen wandering a cemetery. The cemetery speaks to the past that he had laid to rest. He reviews a few exhortations that his father once gave him, to "Remember life and after that, your life gets to be distant better; a much better; a higher; a stronger; an improved one" (Lukas, 2015). He comes to the cemetery in arrange to form an endeavor at doing so. He realizes that in arrange to require his father's counsel accurately he can't reflect on the sad minutes of his life, the portion of his life he laid to rest, but the minutes that made it worth living. It is at this minute within the music video that you simply see the scratch pad he tossed drop to the ground. This is often typical of him realizing this. As he strolls absent, the note pad is devoured by a searing blast.

Conclusion

Conclusively, it is vague whether or not his confidence is intaglio all through the music video. He's seen in a cemetery prior within the music video and towards the conclusion of the video, an ancient mostly weathered cross is seen from the very same cemetery. This may be a visual representation of his unveiling his confidence or renewing it. Towards the conclusion of his music video he's seen sitting within the exceptionally same theater he was composing in at the starting of the video. There are no more pages cascading down around him, it seems he's overseen to move on. Another pivotal visual component is his not being alone within the theater at the conclusion of the music video. He's presently encompassed by individuals that adore and get him. His life's travel has been long and high-minded, but within the conclusion, he finds consolation and fulfillment in knowing that he isn't alone, not anymore.

Works Cited

Lukas Graham (2015). "7 Years" Sheet Music. Musicnotes. Available at https://www.youtube.com/watch?v=LHCob76kigA.

Vain, Madison (2016). "Meet '7 Years' singer Lukas Graham". Entertainment Weekly.