Introduction
Architecture and art is a field that has highly revolutionized since time immemorial. The works of most established architectures involve captured photographs and stop-motion videos based on a target audience. Some architects have gone overboard by establishing extra ordinary scenes such as skillful images on walls that depict certain abilities. Robin Rhodes for instance, is a typical architect whose finesse in the field received epitome accolades in the streets of Johannesburg where he has primarily based his workings. (Flavel & Luzar ,2019). Additionally, Keith Allen Haring, an American architect is prominent through his imaginative pop talent and graffiti which has expanded all through the city of New York.( Cho & & Yu, 2018). Both Robin Rhodes of Johannesburg and Keith Haring from America have deployed colorful images to portray various aspects of life. They both share mutual similarities in their talents such as their appalling finesse in image representations and video shooting. However, this paper narrows down to the chief differences realized between Robin Rhodes artistic talent and Keith Haring skills. The differences are discussed based on the inspirational parallels as well as formal differences.
Robin Rhodes basically showcased his talent in communal places through the use of improvised resources such as public walls or communal basketball courts. Rhodes artistic demeanors stood out because of the high level of simplicity involved through the use of the ready available resources. However, Rhodes Robin catapulted his talent through the adoption of national museums and galleries for his profound performances. Generally, the work of Robin Rhodes revolved around the social concerns of South Americans just as they appeared without early prejudices. Even though Keith Haring also was well known for his artistic way of representing images, more so through the use of bright and highly concentrated colors, his work varied formally form that of Robin Rhodes. Keith Haring's work basically touched explicit sexual images between lovers as well as homosexuals found within New York. Such explicit sexual images rendered a big controversy to Rhode's work who mostly concentrated on addressing social concerns of his society through his talent.
Moreover, Keith Haring and Robin Rhodes artistic endeavors recorded differences in parallel features. Robin Rhodes artistic abilities did motivate the members of the South African society to pursue justice against the known apartheid regime. Rhodes manifested in his talent high level of curiosity and being frank which has elevated his methods of communicating his topics. Rhode motivated his audience to go extra miles to seek justice through avoiding limiting themselves to underlying boundaries. In Keith Haring's artistic work, he gave hope to British fraternity for a new democratic era. His images focused on relieving the members of the British family from their yolks and the burdens imposed on them from the colonial times. He embraced love through his skillful works which motivated unity and will power among people. Apparently, the inspirational difference exhibited between the two artists occupies the audience at large. Being primarily based in South Africa, Robin Rhodes depicted the social injustices among the members of Johannesburg while Keith Haring articulated the American democracy.
Conclusion
In conclusion, artists, from time immemorial, have been eye openers to societies they are based in. in most cases, artists enjoy better privileges when it comes to level of freedom as compared to other ordinary members of a society. Just like Robin Rhodes and Keith Haring, the current artists can influence the lives of societies through articulating various societal challenges in their works. Robin Rhodes, for instance, improvised the public facilities to articulate and showcase his talent. Simplicity in his work propelled Robin's talent to greater heights.
References
Cho, Y. S., & Yu, K. W. (2018). Punky Pop Fashion Design Based on the Cartoon Images in Keith Haring's Works. Journal of the Korea Fashion and Costume Design Association, 20(1), 151-165.
Flavel, S., & Luzar, R. (2019). Drawing the Dao: Reflections on the application of Daoist theory of action in contemporary drawing practice. Drawing: Research, Theory, Practice, 4(1), 11-27.
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