Literary Analysis Essay on "The Tall Tales" and "Catherine, Sly Country Lass"

Introduction

The story, tall tale consists of different elements that are related. The components aid in making the readers or the audience to believe that the story is factual or true. Similar stories often have exaggerations that depict real events or occurrences. The tall tale story is totally fictional that is set in a manner that makes it appear factual. In every story, there is always elaboration of things that make the storyteller appear to be part of the entire story. The storytellers, therefore, ought to be fully matured. The difference between the tall tales and the legends is based primarily on the age. Most legends in every tale often exaggerate the actions of their heroes, however, in tall tales, the exaggeration appears large; in other words, it becomes part of the whole story. Sly Country Lass, on the other hand, is restricted to the older groups of individuals because of the tasks that younger children cannot comprehend but can be possibly be adopted by replacing simpler dilemmas for Catherine to resolve (Bona, 2012). In the story, Sly Country Lass, a smarter farm girl attracts the attention of the king, who thereafter marry her with the promise that she will never hinder his business activities. The tall tale is an element of the American folktales, it is a tale of legendary persons of the west. It also depicts cultural practices of the major figures in the western cultures. The tall tale elaborates the story on the main the main character who is regarded as extraordinary when compared to the individuals in the real-life situation. The story is thus exaggerated to bring a sense of reality. Making the story to appear real is usually done intentionally to enable the audience to get in resonate with their imagination. In some cases, these tales usually become funny to the audience or to the readers.

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Roles of the Storyteller

The storyteller often applies the logical and emotional mix to make the story life about life and purposes. Storytellers usually consider what a particular event looks like and furthermore how it feels like. In both the Tall Tales and Catherine Sly Country Lass, the storyteller takes the audience to the journey, promise them the actions that they will undertake and what the journey mean to the team and to the individuals involved. The role of the storyteller gets a big helping for the audiences who do not understand the process. The role of the storyteller is the one that gets things done in most of the organizations as people take a lot of time storytelling around a given strategy. In every tale, it is the storyteller who often keeps the story alive and makes it relevant and meaningful to people or audiences so that every individual in the team of listeners do not just listen to the story but make the people feel it. Maters of metaphors who are competent in developing contexts enables people to see how their strengths contribute to the direction of the story. While telling the story, the storyteller in Tall Tales and Catherine Sly Country Lass never want the audience to pity him while retelling the above amazing tales. In the process of the story, the storyteller never wants to imagine that the audience will not pay attention to what they want to tell. Alternatively, they want to be thankful for the attention that the audience is giving them. In both the two tales, the storyteller wants to grab the attention of the audience should incorporating real-life experiences and imitating real situations that may seem live.

Role of the Audience

The audience refers to the persons for who the storyteller or the writer composes the story too. The storyteller often applies specific styles of language, content, and tone in line with the audience. In both the Tall Tales and Catherine Sly Country Lass, the storyteller engages the audience by applying various storytelling tricks. In simple terms, the audience refers to the listeners, spectators, as well as the anticipated readers of the performance, writing or a given speech. In many cases, the audience facilitates the storyteller to advance the skills applied and the performance styles so as to fit various demands of the crowd. In both the tales, Tall Tales and Catherine Sly Country Lass, the audience drives every aspect in the development of the theatrical performance. At the beginning of the story, the audience aids in the driving of the contents of the story or tales. The audience, in addition, serves to drive other decisions. For instance, storytellers will consider the attention or the participation of their audience during casting. They will always think whether the storyteller is suited for the performance through the styles being portrayed. Once the audience has become attentive, their roles as consumers of the contents being told by the storyteller will be portrayed in full circle. How the audience interacts or reacts to the storyteller sends a great message to the person telling the story that whatever is being said is absorbed by the audience. While telling the story, silence during the humorous sections tells the storyteller that as a result of many different reasons, the audiences do not agree or see with the humor being incorporated into the story. The storyteller should, in turn, apply the information to modify their current performance and possibly the future storytelling styles. In both the tales, Tall Tales and Catherine Sly Country Lass, the storyteller guides their decisions based on the reactions of the audiences.

Opposites in the Tales

The two tales portray different aspects that are opposite. The tall tale portrays the narrative of wild adventures of profligately exaggerated folks or heroes who are at the center of the story. The tall tales are normally an oral form of entertainment. In the tales, the audience appreciates the inventive imagination instead of the literal meaning of the tales. The tall tales are associated with the lore of the American frontier; in addition, the tales elaborate on the origin of mountains, lakes, and canyons. The tall tales revolve around legendary heroes who are historically known of popular (Kaye & Jacobson, 1999). Sly Country Lass, on the other hand, is restricted to the older groups of individuals because of the tasks that younger children cannot comprehend but can be possibly be adopted by replacing simpler dilemmas for Catherine to resolve. In the story, Sly Country Lass, a smarter farm girl attracts the attention of the king, who thereafter marry her with the promise that she will never hinder his business activities. The approaches in the two tales differ when it comes to the styles and the expression used by the storytellers to the audience. The storytellers apply different futures to elaborate on different issues which then attract the attention of the audience.

Portrayals of Ideas

In both the tales, there are portrayals of different ideas as good and as bad. In Sly Country Lass, the tricks portrayed by the main actor seems negative. In the story, Catherine set out to prove her cleverness through John's main economic activity which is farming. The cunning nature of the main actor indicates the bad side of the tale. In the tall tales, the storyteller brings the heroes as well as different events that make the audience attentive. The good side of the tale lies on its ability to use the natural resources or the features to reveal the hidden agenda of the study. Additionally, the good side of the story lies in the ability of the storyteller to apply different styles and skills to communicate an important aspect of the story. In both the Tall Tales and Catherine Sly Country Lass, the storyteller takes the audience to the journey, promise them the actions that they will undertake and what the journey mean to the team and to the individuals involved. In Catherine Sly Country Lass, the storyteller expresses the unique styles such as direct conversation to express essential ideas or concepts that may be important to the audience. In both the two tales, there is positivity that is being expressed, Tall Tales and Catherine Sly Country Lass never want the audience to pity him while retelling the above amazing tales. In the process of the story, the storyteller never wants to imagine that the audience will not pay attention to what they want to tell.

References

Bona, M. J. (2012). By the breath of their mouths: Narratives of resistance in Italian America. SUNY Press.

Kaye, B., & Jacobson, B. (1999). True tales and tall tales: The power of organizational storytelling. Training & Development, 53(3), 44-51.