Literary Analysis Essay on Horses, Horses, in the End the Light Remains Pure

Introduction

Novelists are, in most cases, artists, and their imagination is usually based between themselves and reality. However, when reality outdoes our imagination, we are rendered naked as the connection between reality and art gets closer. The "Horses, Horses, in the End the Light Remains Pure (2016)" by Hideo Furukawa is an insightful book with explicit information about the earthquake disaster that stroked Japan. The memoir and metafictional novel capture the philosophical treaties of a specific time, as well as the efforts being made by the author, is coming to terms with the disaster that has caused a massive impact on his home prefecture. Originally published in Japan a few months after the earthquake, nuclear plant meltdown, and tsunami, the novel starts with the reaction of Furukawa towards the disaster. Furukawa feels devastated and compelled to make a trip to the north with three companions to experience the intensity of the disaster. The author witnesses what he later referred to the "ghost nature" as travelers felt ambushed with the obliteration of the landscape. Furukawa references the moment based on the information from other of his poems, which was set in Fukushima. Although this exploration can be confusing at the beginning of the book, and the reader could not coherently follow the intentions, Furukawa provided an explicit evaluation of the concerns in the book.

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As the Furukawa tries to comprehend the nature of the disaster and to bring it closer to people, he describes how the areas of land were swept by giant waves, as wrecks of boats could be seen piling up on the ground. There is also a devastating eerie silence that is haunting the coast, which he belatedly realizes due to a lack of seagulls (Furukawa, 2016). There were no birds in the area after the tsunami. Additionally, the author also addresses the consequences of the damage the physical effects of the disaster caused to the small groups. The supermarkets that were stocked a few weeks before the disaster are at then have noticeable gaps on their shelves. Outside, while the groups were getting further inside the outlined warning perimeters, many people were seen wearing different types of face masks, and learners kept inside for a whole day due to the fears associated with the radiation poisoning.

All the outlines revealed by Furukawa are impressive enough. However, what makes "Hideo Furukawa's" really insightful is the way the author shifts from the central narrative. For instance, in the middle section of the book, there is complete and sure information about the Sebaldian digression into Japanese history, amidst certain Japanese gods and myths (Furukawa, 2016). Furukawa also explored exact shades and used the details from his other works, "The Rings of Saturn," to supplement the description of the journey that he was involved in. Notably, in terms of style, the confessional first-person narrative makes the "Horses, Horses, in the End, the Light Remains Pure (2016)" to owe the traditional Japanese I-Novell a lot. It detaches the reader from reality and how much fictional it is, but with no relationship with the subject matter. The author, Furukawa, maximizes the use of compelling, shell-shocked vice and fragmentation sense to create a reflection of the fragile mental states of the writer, especially in the early stages of the novel.

Throughout the book, "The Holy Family," which is one of Furukawa's works, was evident and acted as the turning pint of the narration, as seen in the sudden appearance of Inuzuka Gyuichiro, a character in the writer's car (54). Furukawa talks things over with the centralized conversation time as well as its vagaries, as seen with the frequent mentioning of the expressions such as spirited-away time, time-shifts, and out of time. The author utilizes exceptional time to explain his book comprehensively to make it palatable. The clarity of the writing was mainly evident in the Furukawa's intentions. The author is continuously circling the main topic as he tries to main a collaborative effort in asserting the thematic connotations. For instance, one of the sick ironies evident in the disaster was associated with the leaking radiation from the power plants that were imposed on the region. It is evident that regardless of all these, Furukawa was determined and focused on his home region to maintain its image amidst the existing margins of the national history.

Conclusion

To sum, the narrative voice which is well captured in the new version seems to be edgy amidst disjuncture. Sentences in the novel compromises clipped clauses, words, and terse fragments. The fracture of the sense permeates the prose. It relentlessly acts as a reminder of the splintered reality, which was born sometimes back and ha had a significant impact on the relationship between Furukawa and his home in Fukushima. Furukawa being the first writer to write about the disaster, views the subtitle as the opposite, though he tries to formulate an inbuilt relationship with the entire piece. Overall, unlike most novels, "Horses, Horses, in the End, the Light Remains Pure (2016)" is an excellent piece of on various occasions. It is cathartic and allows onlookers to face the available natural disasters. The concentration of emotions in the book makes it exciting.

Reference

Furukawa, H. (2016). Horses, horses, in the end, the light remains pure: A tale that begins with Fukushima. Columbia University Press.