Essay on William Wordsworth's Tintern Abbey: Romanticism Refuted Through Poetry

Introduction

The novel uses the symbolism of a stylistic device to paint a clear mental picture by using objects which majorly portrayed in the poems to create clear visual to the readers. In the text, "Tintern Abbey," who is the narrator in Wordsworth, unveils the romantic literary style in his poem when he discloses a clear image of nature that refutes stylistic gimmicks. The principle of Romanticism is therefore exhibited by "Tintern Abbey" through creating a valuable literary work. Tintern Abbey creates a memory when he involves himself in the poem, "For I have learned to look on nature, not as I the hour of thoughtless youth, but frequently hearing the still, sad music of humanity" (Brooks 82). Through this, it's evident that he tends to avoid memory, frustrations, and thus staying focus, which eventually contributes to a long and fruitful journey.

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The Use of Stylistic Devices in Romantic, Victorian, and Modern Literature

Despite the characters not experiencing industrialization during the Victorian period, each one of them exaggerates the brutishness of Heathcliff. The novel describes Harefon is a terrified stupid. Edward Linton has the trait of feminism, Catherine as hysterical and Joseph being abrasive. Heathcliff, Hareton, and Catherine are pessimists who deeply rooted in the past culture that they can't embrace civilization. Romantic tradition ceased when Heathcliff and Catherine died, thus resulting in deterioration of Wuthering Heights. Therefore, Modernism becomes challenged by when Wuthering Heights sticks in the past (Brooks 93).

The poet in "A Cold Coming" and the one in "Tintern Abbey" uses the same method possesses the personality and biography. The Iraqi condemns the poet for changing his carcass into "an icon framed, a looking glass for devotees 'kicking ass,' a mirror that returns the gaze of victors on their victory days (Morris p62)." Words such as 'icon,' 'mirror,' and 'looking glasses' are used by poets to symbolize their objective when they inject their ideas. The poets are depicted as a reckless character when they use metaphor to objects. Consequently, Harrison's "A Cold Coming" assaults the writer as a propagandist who uses his position in making meaningless discussions. Further, the dead Iraqi narrator attacks the writer and even go-ahead to call him a corrupt poet.

Winston is curious based on the diary, which is full of idiotic movie and thus displays a man who keeps on talking to himself. The existence of an audience creates meaningful literature that Orwell is a typical Modernist portrays. Furthermore, Winston tries to create imagery when he keeps asking himself questions on how he can communicate with the future and then goes ahead and answers that it is not possible (Brooks 99). The passage extends to the mission of authorship. Subsequently, the historical legacy in Winston's society is evident enough that history can't continue to allow the values of species in the period to the other.

Conclusion

The stylistic device, text -within-a-text is used by Bronte's Wuthering Heights to create a narrative.in an event where there is a lack of chronology of various narrations, the narrators have to employ this style to shun the vulnerability of stories. Therefore, the narrative portrays itself as highly unstable, thus reducing misrepresentations and distortions. Citizens of Orwell's community suffer from extreme tunnel vision and therefore don't understand clearly the bridge between the past and the future, which is a literature's work (Morris p68). In conclusion, various stylistic devices have to be employed symbolically to display a broader view of the Romantic, Victorian, and Modern literature.

Works Cited

Brooks, Chris. Signs for the Times: Symbolic Realism in the Mid-Victorian World. Routledge, 2016.

Morris, Kevin L. The Image of the Middle Ages in Romantic and Victorian Literature. Vol. 37. Routledge, 2019.