Essay Example on Mary's Art: Women Unexpectedly Undervalued and Disposable

Introduction

Mary uses her artistic work to portray the position of women in society as weak and submissive beings. When comparing to the males, women as underrated and undervalued despite their capabilities that outdo those of males, she portrays women as idle, disposable, and displayed to function functional roles in the society. Mary sherry is a project and submissive object, her life as a wife and a daughter depicts her as an inferior being who cannot fight for change and can only run from the problem. Some characters such as Elizabeth, Margret, Justine, and others, are portrayed as victims and channels of male actions in the Novel (Rauch 227-253). The activities and the setting of the novel have been developed in a way that shows women's actions as a reaction of male actions. The theme of psychological change exhibited by the conflict between Nature vs nurture shows that women's actions are as a result of the orientations in the environment they are subjected to (Rauch 227-253). Sherry's novel is not a new experience of what happens in society. The position of women in society is ignored. Women are displayed as elements of enhancing males' life more leisurely, although the new timing has been changing inequality and roles, women are still dismayed and inactive in real-time society functions (Rauch 227-253). The essay will discuss the position of women as weak and submissive in the novel concerning society. The essay will be founded on Mary's life as the author and other women characters like Agatha, Safie, Margret, and others evaluating their characterization and how it portrays positions of women in the society.

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Discussion

Sherry

Mary Sherry forms a novel portraying how women are used in society and their decisions resulting from life experiences with men. Her life is a perfect attribute of submissive and weakness, and she has been a wife a daughter. When she was a daughter, she becomes an epitome of jealousy, trying to win her father's attention from his newly married wife (Mellor). Here, we see the weakness of Mary in controlling herself and understand that her father had a role to play maintaining their family status quo and providing for them instead been there to pay attention. Sherry's mother died when she was only four yours, and her father dedicated himself to providing care for his daughter. It is at this moment that shell experienced love from Godwin; however, on marrying another woman, Godwin is more concerned about the whole family rather than an individual. Mary is weak, and her decision to run away from their home is an indication of weakness that she couldn't withstand what was happening in their home (Mellor). Her love for Perry is another evidence of submissive. Perry wanted her to run to France with her and leave her family, and it is not an ordinary thing for one to choose other people over their own family. Sherry would have rejected Perry's offer and decided to stay with her family (Mellor). It would have meant that sherry was strong to withstand the changes and accept the fact that he committed was committed to providing care for the whole family rather than taking care of her as the only kid.

Justine

Justine is another female character in the novel, demonstrating idleness and a passive character in the story (Haddad). She is confused between paying attention and keeping her loyalty to her family and the Frankenstein's family. Her decision to remain in the Frankenstein's family is a sign of submissiveness, and she can't realize she has been used until she is framed for the murder of William. She exceeds expectations of readers who expect her to be peaceful and harmless, but on her wrongful accusations of murder leaves everyone thing what a character she is (Burke). However, with her speech, she portrays weakness and passivity, she states that only God knows her innocence and that she left the simple explanation of the relevant authorities to explain her innocence (Shelley 65). these circumstances show she was not strong enough to defend herself and only depended on the mercies of the police to save her (Haddad). The fact that she became a victim of circumstances that she took unto herself shows her passivity. Saying that she had no power of explaining how it happened and would only postulate probabilities of how it ended up in her pockets (Shelley 66) demonstrates her weakness. She was used to committing a crime that would not have happened if she had not submitted herself to the Frankenstein family in the first place. The circumstance explains how women find themselves in grave situations because of their submissiveness to positions in making males life (Haddad).

Elizabeth

Elizabeth is another character who has been portrayed as a weak and submissive character. She has been shown as the emotional character all throughout the novel. Her emotions make her vulnerable and submissive to the monster (Burke). The Frankenstein views her as a utility to possess and hold onto. He attributes that she looked unto her as his, love, cherish, and protect and that all her good characters of praise he took as his possession (Shelley 21). Frankenstein's monster takes advantage of the soft and adorable soul of Elizabeth to hurt her and leverage her against his creator. Even when her life is in danger, Frankenstein does not seem worried or taking steps to save her (Shelley 173). Although the battle was between the monster and Frankenstein, she becomes the victim, and there she finds her dead. She is has been reduced to be a simple tool of revenge and possession. She became the victim of the male-male crisis and the game of insanity because of her weakness and submissiveness (Haddad).

Agatha

Another female character portrayed in the novel as weak and submissive to male activities is Agatha. She is revealed as a kind and gentle human to show woman virtue and sensitivity in society. She becomes a training tool for the monster (Haddad). She has been used to train the monster, all human beings and life virtues. Innocently she moves the monster with her blind father to teach the monster how to interact with other people. She bestows in teaching him how to communicate and different interaction methods. "Agatha listened with respect, her eyes sometimes filled with tears, which she endeavored to wipe away unperceived" (93).

Conclusion

Her life as a woman was not easy, constructing her novel around the male-dominated society, and her life informed male superiority as a wife and a daughter. The jealous that made her hate her father for no apparent reason and even to the point of running away with another man to hurt her father was the perfect reaction of submissive. Her sister took her husband, and this formed yet another loophole of weakness in women when she could not withstand it forgive her and let family come before everything else. The female character has been portrayed as the victim of male actions and circumstances of their softness to make males happy and whole.

Works Cited

Burke, Julia. "Over Mary's Dead Body: Frankenstein, Sexism & Socialism." (2018).

Haddad, Stephanie S. women in literature. 2010. Women as the Submissive Sex in Mary Shelley's Frankenstein

Mellor, Anne K. Mary Shelley: her life, her fiction, her monsters. Routledge, 2012

Rauch, Alan. The Monstruous Body of Knowledge in Mary Shelley's Frankenstein. Studies in Romanticsm, 14. 1995, 227- 53. Web, March 19, 2014.

Shelley, Mary Wollstonecraft. Frankenstein: The 1818 Text. Penguin, 2018.