Essay Example on Indigenous Films: Formal Innovations and Visual Sovereignty

Discuss tow of the indigenous films we screened in class, noting their formal innovations and unique modes of storytelling. How do theses films contribute to our understanding of visual sovereignty?

C.R.A.Z.Y. is a film that was directed by Jean-Marc Vallee in the year 2005. The movie was explicitly co-written by Vallee together with Francois Boulay. The film narrates a story about a character known as Zac, who was known to be a young gay man that dealt with homophobia as he grew up with his four brothers together with a conservative father in an area known as Quebec between the 1960s to 1970s. The relationship which Zac had with his father ended one day when his father, known as Gervais, found Zac dressed already in the clothes of his mother. At a Christmas party that was held in the year 1975, Zac decided to shotgun a particular joint with the boyfriend to his cousin known as Paul that later struck the attention of Zac. Michelle, who was Zac's friend, tries so much to kiss Zac. However, Zac manages to stop Michelle from kissing him while posing an excuse that involved protecting their friendship.

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One day as Zac ran a particular red light specifically on his motorcycle, he was knocked down by a car where he later became hospitalized. In the hospital, Gervais, who was angry at Zac's homosexuality, hires a therapist to help cure Zac of homosexuality. The movie extensively employs and makes use of an extensive soundtrack while featuring various artists like Pink Floyd, Patsy Cline, as well as Charles Aznavour. C.R.A.Z.Y turned out to be a major growing movie of the year in such as province. The movie won several honors including Genie Awards, in various competitive categories, specifically from about 14 nominations. The film became a record holder for so long. The formal innovations such as filming the future, second screens, Disney digital, eco-sustainable practices, science fiction-to-reality, computer-generated imagery, digital single associated lens reflex, as well as green screen are some of the eye-catching technologies which have majorly impressed in the visual arts.

Red herring is another unique mode of storytelling that has been used to mislead the audience for a while only to later reveal the specific truth with the intention of amusing, surprising or relieving the audience in the movie. Furthermore, McGuffin is another unique mode of storytelling that has been used in the film where the plot in the film revolves around a single object and subject known as homosexuality and Zac, respectively. Moreover, foreshadowing is another unique mode of storytelling that has been used in the film to hint specifically in the future while foretelling the things that are to come. However, foreshadowing has been used to offer or provide vague ideas so that the audience may be kept interested. Also, hyperlinking is another unique mode of storytelling used in the movie to deliver multiple stories, particularly in one. Therefore, hyperlinking is a storytelling mode that has been used on the film to allow multiple interconnected stories to be told at once. The formal innovations, as well as the unique modes of storytelling, have been used to contribute majorly to the understanding of visual sovereignty.

Bollywood/Hollywood is known as the Canadian Romantic Comedy of the year 2002, directed by Deepa Mehta. The film features characters known as Rahul Khanna, together with Lisa Ray, who play major roles throughout the movie. The film is quite lighthearted, humorous, as well as family-oriented. The film makes fun of the traditional Indian stereotypes while using Bollywood-style song as well as dance numbers. Rahul acts like a young as well as rich Indo-Canadian man who lives in Toronto. Rahul's widowed mother plans to ensure that Rahul becomes married after the accidental death involving his girlfriend. One day when Rahul went to a bar, he met Sunita abbreviated by Sue and hires her so that she can act as his fiancee since she looked Indian.

Later, Rahul discovers that Sue is Indian. In the long run, Rahul and Sue became more intimate with one another as they shared stories that involved their past. However, the blossoming romance between Rahul and Sue became shaken at a time in a bachelor party when a particular drunken friend claimed that Sue was a prostitute where he stated that he had paid Sue for sex before. Rahul became uncertain, which caused Sue to become so much hurt. However, regardless of such statements made by the drunken friend, Rahul professes love specifically to Sue. Surprisingly, Sue leaves Rahul standing in the balcony as she rejects his love.

The formal innovations such as filming the future, eco-sustainable practices, science fiction-to-reality, as well as computer-generated imagery are some of the eye-catching technologies which have majorly impressed in the visual arts in the movie. On the other hand, red herring is another unique mode of storytelling that has been used to mislead the audience for a while only to later reveal the impending truth with the intention of amusing, surprising or relieving the audience in the movie. Furthermore, McGuffin is another unique mode of storytelling that has been used in the film where the plot in the film revolves around romance.

Moreover, foreshadowing is another unique mode of storytelling that has been used in the film to hint specifically at the future, foretelling the things that are to come. Also, hyperlinking is another unique mode of storytelling used in the movie to deliver multiple stories, particularly in one. Therefore, hyperlinking is a storytelling mode that has been used in the film to allow multiple interconnected stories to be told at once. The formal innovations, as well as the unique modes of storytelling, have been used to contribute majorly to the understanding of visual sovereignty.

What are the Complex Entanglements in Deepa Mehta's Water and Guy Maddin's My Winnipeg

Water (2005), which is the final instalment that exists in the elemental trilogy of Deepa Mehta, has the own words of the director termed as tumultuous birth. Water is known to involve intense experiences associated with filmmaking history. Water specifically shows the maturation that Mehta has had as a director. The reason is that in Water, Mehta marries the political filmmaking together with melodrama to harness power associated with emotional engagement to raise consciousness. There are scattered allusions to pop culture from music to Maddin as a Winnipegger. There exists an attitude associated with a simultaneous immersion when it comes to the alienation from the movie considered to be typically Canadian. The film may become watched by a massive audience from all corners of the world due to the existence of Winnipeg content, the local settings as well as allusions. Formal innovations in the film industry involve new ideas and technology which have majorly contributed to the transformation, change or revolution of films. The formal innovations used in films or movies always aid in making movies appear more interesting to watch. Since there occurred an introduction of the motion picture a century ago, the movie, as well as the television industry, have continuously and majorly impressed due to the existence of innovativeness.

For example, innovations such as filming the future, second screens, Disney digital, eco-sustainable practices, science fiction-to-reality, computer-generated imagery, digital single associated lens reflex, green screen, as well as the internet are some of the eye-catching technologies which have majorly impressed in the visual arts. Moreover, unique modes of storytelling as a style used in the movies has majorly impressed because it has proven to be more interesting. For example, in media Res is a unique mode of storytelling where the story begins in the middle in the middle of the movie. Also, Red herring is another unique mode of storytelling where the audience is misled for a while only to later reveal the specific truth with the intention of amusing, surprising or relieving the audience in the movie. The movie industry needs to adopt the use of more advanced formal innovations, unique modes of storytelling to capture the attention of the audience and achieve visual power or sovereignty in the end.

Bibliography

Atkinson, Sarah, and Helen Kennedy. "The Live Cinema Paradox: Continuity and Innovation in Live Film Broadcast, Exhibition and Production." In The Palgrave Handbook of Screen Production. Palgrave Macmillan, Cham, 2019. pp. 335-346. Retrieved from https://link.springer.com/chapter/10.1007/978-3-030-21744-0_26

McErlean, Kelly. Interactive narratives and transmedia storytelling: Creating immersive stories across new media platforms. Routledge, 2018. Retrieved from https://content.taylorfrancis.com/books/download?dac=C2015-0-74361-3&isbn=9781317268444&format=googlePreviewPdf

Mehta, Deepa. Bollywood/Hollywood. Canadian Romantic Comedy, 2002.

Vallee, Jean-Marc C.R.A.Z.Y. 2005.