Essay Example on Exploring the History of Rock Art in China

This paper discusses the history of rock art in areas of China and the surrounding; the discussion paper is built of description answering questions like what were the earliest rock arts in this place? Who started the art, and where did they get the idea? What were the challenges of beginning rock arts during these times? How did the rock art grow, and in which fields was it used, and why? This question forms the headings of the discussion.

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The data to this discussion is basically from reliable databases that have clears descriptions of the rock art ages and have garnered the approval of correctness and clarity. These sources are diverse, including the genuine historical articles, pictures, and drawings of the art structures from the real archeological sites, records from the ethnic groups that started, and practiced this form of art and critical personal experience like visitations.

In the use of the article sources, I will identify all data shreds from all sources that will enable me to answer the introductory questions. An example, I will compare the historical records of dates, time, places, and inventors from different articles and conclude on standard conformity answers.

More so, observing the pictures and drawings of the rock arts will enable me to certify the description of sizes, shapes, cultural aspects, and location of the rocks arts.

In the image and maps study, there will be comparisons comparison and analytical evaluation where I will identify the petrographic contentment concerning the origin of the rocks in the Gaoxiong area and the Tainshuling uplands, which are the exact location for the Qulin drawings.

Through the databases, I will identify the localization and distribution of the art from the 19th century and get along with the drawings art origin, in the research paper, questions of who and how ethnographic history contributes to art history.

Both figurative and non-figurative signs of the art will be applied, having the rock art being diverse. The four sources to be used will have a comparative enclosure to the prehistoric and cultural settings.

I will concentrate on the impacts and favoring items that elevated the development of the art. Having the Jinsha River a general background factor for the rock art, the Common conclusion of the river will be made with a focus of its origin, type, and influence methodologies.

Besides the historical study, the current nature of the rock art will be sourced. The changes that have occurred within the past century in terms of development and shortcomings. If the prehistoric art has changed, what makes the current one different? - This will be answered.

The discussion paper will contain source elements of the direct dialectic connection of rock art with other expanding sectors, including cultural practices and social-economic activities. How did the art balance the performances in the community that started it?

Conclusion

The art history of northern China is an excellent input to regional history and architectural development. As recorded in the data used, it is clear that the discussion paper has a coverage of all features of the Asian rock art and a comparison to the European and African rock arts. The databases are essential in determining and maintaining the real picture of history. The discussion indeed will be an appreciation to the contributors of the historical data in the rock art.

References

Dematte.2004. Beyond shamanism: Landscape and self-expression in the petroglyphs of Inner Mongolia and Ningxia (China). Cambridge Archaeological Journal, 14(1), 5-23.

ICOMOS. 2019. (PDF) East Asia: Rock Art. Http://openarchive.icomos.org/2086/2/Final-version_e-book_21052019-opt.pdf. (1) 1-12

Tacon, P. S., Gang, L., Decong, Y., May, S. K., Hong, L., Aubert, M., ... & Herries, A. I. 2010. Naturalism, nature and questions of style in Jinsha River rock art, northwest Yunnan, China. Cambridge Archaeological Journal, 20(1), 67-86.

Zabiyako, A. P., & Jianlin, W. 2017. Petroglyphs from Northeast China: New Sites and Interpretations. ARCHAEOLOGY ETHNOLOGY AND ANTHROPOLOGY OF EURASIA, 45(3), 69-78.