Book Review Sample on 'The Miser': Greed, Love & Dubious Coincidences

Introduction

'The Miser' is described as a comedic story illustrating on greed and love. Harpagon is described as a wealthy man but reserves his wealth living in a constant condition of paranoia and disbelief. He intends to wed a younger woman, unconscious that the lady and his son are in a relationship. In definitive farce style, the deceptions and misunderstandings compile with panting speed, until everything is finally fixed through a succession of dubious coincidences. The Miser doesn't want the relationship since he wants her to espouse a rich man of his choice, Seigneur Anselme (Justin Benson). Obsessive greed is a thematic concern that is evident in this play. Harpagon is a character who is ranked as one of the most tight-fisted people. This is portrayed at the end of the comedy when he is mostly bothered with his wealth than his children's welfare. Moliere portrays Harpagon as selfish and misery, whose hunger for money subdues his personality. "Did I hear a dog bark? Who's after my money?" This is a quote informing the reader how terrified Harpagon is of individuals stealing from him as he is troubled that a dog will rob his money.

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It is illustrated in act 4, scene 5, when he goes flying after reasoning that his money had been stolen. It is evident when he is stunned with fear saying' love of my money.' It points out his materialism, illuminating some poorest traits an individual can have. Harpagon only outlooks his offspring as financial problems that he purposes to marry off to permit himself from their supposed expenditure. In act 1 scene 3, Harpagon's possessed fear of money is evident when he abuses his employee for thievery, which they never committed. It is highlighted when he irrationally searches La Fleche's pockets and pants to check if he has stolen something. Harpagon doesn't like what money can purchase but enjoys snuggling his cold, rigid, cash. The primary purpose of money is to pay, but it has misplaced this function. It appears as the objective of a mortiferous worship. Sacrifice can be undertaken for money. Meanwhile, there is no price and worth but for money.

Misery

In the dictionary, misery commonly denotes the meaning of stingy, and in Moliere's play, it is embodied by the character Harpagon. 'The Miser' has achieved the obligation of a comedy having both character and plot development. His entire life trails Harpagon, and the role played. Moliere's play 'The Miser' is created on the comedy job 'The Pot of Gold' written by the Roman playwright Plautus. The appearance of Miser and the plan of the play have undertaken a metamorphosis. The diverse social experiences of Moliere's 'Plautus and The Miser' have a significant influence on the script's organization. The most significant character in 'The Miser' is Harpagon, who has become identical with Miser in French. He is primarily based on the role Euclio in Plautus in the play 'The Pot of Gold,' but his rhetoric and character have undertaken metamorphosis and expansion. Harpagon and Euclio are both actors with Miser regarded as the main character. It appears that the plot sequence in which he vowed to marry his daughter to the wealthy but old megadonors, and carried nothing for his daughter's marriage ceremony. The conspicuous features for Euclio are stated as greed and care of the money symbolized by 'The Pot of Gold.' Even though he fulfilled specific functions of jealousy, it is evident that he can't be identical with his personality. Plot and character development are essential since the individual engage emotions. The majority of great stories get the reader emotionally tangled with the characters. They also help in seeing how individuals may respond to specific scenarios. On the other hand, plot-driven stories put extra emphasis on the account.

Jacques tells His boss (Harpagon) the truth on what the society says regarding him and ends up getting himself beaten up by Harpagon. When Valere sees this, he laughs at him, but Jacques tries acting tough, receiving another beat. After this occurrence, Jacques assures his boss that he will revenge on Valere. He eventually ends up doing that though telling them lies, taking them a minute less to figure out. Jacques is also figured out lying about seeing Valere rob Harpagon's cashbox, and this lie is eventually figured out. Still, Jacques is saved from getting disciplined by Anselme, who persuades Harpagon.

The use of satire uses irony, humor, ridicule, and exaggeration to describe and mock problems existing in society. Moliere uses additional literary techniques, which include metaphor and irony, to pass its message. Satirical writings tend to under-play or exaggerate imaginary characters or situations representing current people or issues. It is easy to mock a wealthy person like Harpagon, who drives into conniptions if he always has to pay for anything and ridicules other people for their lack of moral ethics. In the play 'The Miser,' Harpagon is the main character in Moliere's book. Distrustful of banks, everybody, and everything in typical makes people mock Harpagon. He stores his wealth of 10,000 crowns made of wood and submerged in the garden. Since the actor is unfilled in ridiculous comic overstatement, similar to Cara Caldwell Watson's invention, it is easy to mock him.

Main Aim in the Play

Moliere's main aim in the play "The Miser" was to ridicule Parisians who accumulated tidy little wealth through avarice and Moneylending. This objective is achieved through amusing, sharp-edged conversation that mocks the central character Harpagon. Thew dialogue is Cleary evident in scene 5, act 3, where Jacques, the coachman, and cook converses with Harpagon. Jacques tells Harpagon that,' you are the laughing-stock of everybody.'

Dramatic irony plays a part in the play when Moliere uses vivid irony to show Harpagon's incompetence to view himself as the faults for which he blames other people. It is seen where Harpagon critiques Jacques for always thinking of cash.

Conclusion

On occasion, boardrooms can be creative, particularly in scenes comprising an ambulatory outfit of a shield and in the enhanced relations between cook Jacques and his boss Harpagon. It chambers thoughtful South Coast productions. Might it be that comedy is not his plan? He practically pushes the jokes a distant, but at the end, the sarcastic proportion of this 'Miser,' the exact thing chambers require to make significant, is underestimated. As a result, fewer laughs are prevalent along with the play. 'The Miser' game appears funny because it shows a moment and has a part of simple fact. Humor is the devastating joy at feeling intellectual. Satire is a type of comedy that makes this play funny where there is a part of society and politics (Harpagon), which is purposely mocked and mimicked to shove fun at them while pointing criticism using humor.