Beat Generation Questions Paper Example

1. In on the Road, Kerouac ignored the basic rules of writing such as grammar and structure. His soul is speeding ahead of his craft. How can an artist let their soul be caged by rules and form? That's like self-imprisonment of the soul. Kerouac wouldn't hear of it. How does Kerouac choosing soulfulness over craftsmanship affect his writing? How does it affect your connection to his writing? What are your thoughts in general on this issue?

A good writer is an artist and the spontaneous prose shows his creativity. Kerouac was chosen soulfulness over craftsmanship because he wanted to communicate in deeper senses. He wanted his audience to connect with his work from deep in a nit superficially. His literary aesthetic could only be unique if he kept his soulfulness in writing and not be obeying the dictates, rules, and form of the grammar. Even though his work does not appeal to the masses that have sold their souls to the English grammar, those who identify with his work and connect deeply with the content understand then hyperbole and exaggeration in his work and they appreciate hues ingenuity. Based on Kerouac consistency in writing, his work might as well, be categorized as a unique form of prose to which each writer creates and sustains. Kerouac has successfully sustained his aesthetic ideal. Being a beat generation himself, It is also important to understand that Kerouac wanted his audience to identify with his work as wild, undisciplined, pure, and coming in from under because to him, the crazier the work.

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2. How do you feel about Kerouac's rejection of revision and his vision of what's the real stuff and what's not? Do you think this philosophy will create bad artists? Great artists?

Kerouac rejection of revision is consistent with the aesthetic ideal that he envisioned in his work. Art should be presented in its pure form without adulteration. I find his work more interesting, deep blowing and unself-conscious in their raw form before they were edited because the raw form presents the mindset of the real thought of the artists before the thoughts are fashioned to fit the heteronormative society. Artistic work should be initiate dialogues and should not shy away from expressing thoughts, wild ideas, and conjuring the spirits of emotion. Kerouac said that a good writer should write without consciousness and if possible in a semi-trance. By allowing the subconscious to admit in own inhibited search an expression, the writer prevents the modern language from censoring what is deeply felt. A good writer de-clouds the consciousness and writes freely a d selflessly without inhibiting thought in accordance with the laws of orgasm. The philosophy would not create bad artists but great's artist because art is a means of self-expression and an artist should express himself, thoughts, attitudes, feelings, or emotion without being subjected to the confines of modernity and grammar.

3."Beneath every formula lies a corpse."--Emile Cioran. What do you think this Romanian philosopher means by this? What is he saying about formulas? Why a corpse? What do the two have to do with one another or not have to do with one another? Think about this statement for a while before you answer the questions below on Jack Kerouac's On the Road.

Emile Cioran means, man always seeks for a higher being to submit to or to obey a without a higher being, man would have to invent one even to his costs. Without the constrictions, man would never taste the pang of freedom. Grammar is a language is authoritarian and at the same time archaic and man has made himself a prisoner of the same such that they cannot say anything they want freely that is not allowed by the rules of grammar. The main argument of Emile is that beneath every new beginning, they are a dead item either grammar or people who sacrificed for the idea to come to pass.

Emile stated that man must be willing to have a formula without which they remain slaves to the establishments. She also argues that man defines only out of despair and must develop a formula to give a facade to the void. An artist must be a creator of new things and everything that passes through the mind must be expressed in raw form without editing or adulterations. Beneath every foundation lies a corpse mean that there is a struggle for authority and beneath each victory lies a victim and in most cases, the hard-wired grammar and formula win because people are programmed to accept the normal and not reconsider the wilding artistic savory. Based on Jack Kerouac "none the road" an artist's must always be willing to lean forward to the next creative venture under the skies without fearing to agony or the struggle or competition with the grammar police. The artist should be willing to test the waters because within every sign there is a stereotype that is considered the monster. Emile Cioran and Jack Kerouac are both free thinkers who are free to express their feelings and attitudes and have stood against the establishment such as grammar that dictates the rules of the form of literature.

Kerouac was in favors of the spontaneous prose because he wanted his work to demonstrate his own ideal aesthetics. He wanted that audience to connect with his thinking pattern because the audiences can easily appreciate his work by understanding that he was free-spirited while writing and not subjected to a form of rules that restricted his work. Disjointedness is favored over seamlessness because it expresses the true mindset o the infidel as at the time when the prose was written. Reading something that is disjointed may have a negative impact on the understanding of the flow of the content does not affect the appreciation of the effort put in the content? Disjointedness demonstrates the author's to express the stream-of-consciousness as at the time the prose was written as the content ran free of interruption:

4. American playwright Tennessee Williams wrote, "If I kill all my demons my angels will die too." Meditate on this statement a while. And then write about what you think it means. It gives great insight into Ginsberg's poem.

Tennessee Williams means that one has to accept the whole package and not be forced to lose one part to fit into the society. For example, when Tennessee Williams was told to change her sexual orientation from homosexual to straight so that he could be admitted to the larger society of screenwriters, he refused to state that losing his sexual orientation meant pain that would make him lose himself. Losing one part of oneself is not possible without affecting the other parts, habits or demeanor

At the end of "Howl," in the Footnote, Ginsberg reverses the hell he puts the reader through for pages and pages. Why does he perform this powerful reversal? Why are the abyss and mental asylums holy? How does this change the poem as a whole?

At the end of "Howl," in the Footnote, Ginsberg reverses the hell he puts the reader through for pages and pages to mean that when a man is stripped of all the clothes, class, wealth and desires, humanity reins. He communicates the necessity of the destruction of the vanity and argues that when all is gone, everyone becomes holy. For example, he lost his friends such as Kerouac and his mother as well as the grandfathers who were all holy only if they can be free-spirited as Peter, Allen, Solomon, and Lucien. After the loss of wealth, and redemption insanity ends and people become free thinkers through Holy forgiveness! Mercy! Charity! Faith!

5. Ginsberg's "Howl" is made of long lines of lunacy. He had too much to say and couldn't be confined to the traditional short lines of poetry. He needed to scream across the page for as long as his breath would last. The Beatles' John Lennon once went to something called "Scream Therapy." It's where the person screams to release pain or sadness. "Howl" is much like scream therapy. Bob Dylan said in a song, "I need a dump truck, baby, just to unload my head." In Tennessee Williams' Streetcar Named Desire, the disturbed Blanche asks,"Have you ever had something terrible caught in your head?" Ginsberg's form was necessary for his overflowing head. Do you think an artist's state of mental health should dictate their artistic form? How does that affect the reader? The culture? In what ways is it of value?

Artwork and mental health condition are normally linked and most of the times the artists involved tend to have a good experience, and the influence can also be felt by the reader. Many artists have accomplished their missions under the influence of mental sickness and were able to succeed to give out meaningful messages. In the course, the given artists tend to feel relieved. Producing an artistic work of any form by one having with psychiatric disorders enables them to express themselves, as well as their emotional distress. The reader is affected in that the unique aspects which the artists may incorporate in the course of this form of exercise may important in that they will be able to understand themselves better. An artist in this condition can accomplish this by, for example, including some visual aspects which cannot be included under normal circumstances. The work, therefore, appears more appealing to the reader who finds it more clarified; this is because the artists are not worried about the need to limit himself as per the standards of writing. This has the potential of changing the culture of readership; the readers may tend to like such a type of work. This is because the writer is free to express whatever is pressing him from the inside and a better understanding is experienced on the side of the reader.

6. Allen Ginsberg's language in "Howl" is full of energy. One of the reasons is his collision of images. For example, "eyeball kicks" and "hydrogen jukebox." These unusual pairings make the language explode. They twist things into something new in nature. Something memorable. What are your favorite word collisions from Howl? How do they make you feel? Where else do you see these collisions? They are everywhere actually. Some rock and roll band names come to mind: Velvet Revolver, Limp Bizkit, Stone Temple Pilots. What about screennames for emails? Bar names? Those are just some examples to set you on your way.

Allen Ginsberg's "Howl" is creating significance in every single line by using much energy to communicate. For instance, Allen Ginsberg uses word pairs such as atomic bomb and human locomotives which make me feel that his writing is only based on energy to influence the reader to pay attention to what is being communicated. They enable me to remember most of the ideas the poet was trying to communicate in his poem. However, the poet plays with language a lot making his work quite disorganized and mostly illogical. I feel that that the poet was never direct on whatever he was trying to present to the readers but rather referred allusions concerning events and people he covered in his communication. The poem does not recognize the standards of sentence structure, in which it has some link words which does not appear to fit the context. These collisions can be seen in platforms such as facebook whereby individuals design "energetic names" for their timeline or page. This is most likely to attract others to view whatever they are sharing with others frequently. Moreover, such names can also be seen among the popular artists like Rick Ross. The name is also meant to contribute to their popularity as it may have an impression that individual involved is associated with such level of vigor in his performance.

7. William S. Burroughs' novel Naked Lunch was made using the cut-up method. The author splices together random pieces of writing that aren't his own. Magazines, newspapers, old books, new books, etc. This forms a kind of grotesque coll...