Avant-Garde vs Present-Day Art: Exploring the Symbolic Relationship - Essay Sample

Introduction

The art of avant-garde and the art of the present day have fundamental differences both in the conceptions as well as the role they play in society. While the forefront uses new ideas to reinforce and express various political and social changes, the art of the present day celebrates modern society while reconnecting the artwork to life. The avant-garde and the art of present-day meet based on the symbolic relationship that pulls the contemporary society to a new threshold of social progress. The two forms of art create conflict that moves society in a progressive direction with the keeps humanity connected based on the social development of modernity (Bois & Krauss, 2015). The modernist rise has brought about a preoccupation with formalism in the community. With modern society evolving based on the market expansion and appropriation of new technologies, the present-day art glorifies the trend without putting it in the social or political context. The focus of present-day art on technology has created a situation where humanity is left, thus losing modernity. Therefore, the art of modernist avant-garde is more original than the art of the present.

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The art of the present day focuses on modernism with the mechanism used, showing a concern of social life. The change in society, as well as signs of progress, has made the modern man to reinvent and stay compatible with the current state of existence. As a result, humanity, as well as art that was initially being linked with socially aware art, has changed. The works of the modernist avant-garde, which sought to extol the triumphs of socialism, have changed. The modernist avant-garde also sought to bring the art and humanity in contact with each other while recognizing the effect as well as the significance of the socially aware art. The high modernist avant-garde is moving away from the depictions of life as well as political, thus reduced reconnection of the society (Cody, 2017). Therefore, the conflict between the modernist avant-garde and present-day art has brought about positive social change. Modernity has pushed for globalization as well as standardization, thus breaking the connection between culture and lives.

The art of the present day has failed to reconcile with the directions of modern society. The modernist avant-garde creates a novel technique, which is compatible with contemporary society while seeking to move towards the appropriate ideas as part of modern society. The resolution to the rising debate of modernism is based on the modernist avant-garde, which keeps the modernist society from going out of control. The present form of art brings unity of disunity while creating the conflict. The drive of keeping modern and social trends reveals the tendency of moving away from humanity and towards the technological ends. Therefore, the modernist avant-garde ensures social expansion, which keeps the society at the forefront of culture with the art-making organization connected to social and political ideas.

The concept of the avant-garde is the original form of art that should be approached. It can handle the changing cultural and economic contexts. The art designated practices that are elaborated based on revolutionary events as well as renewed interest in the historical concept of art. The artwork of modernist avant-garde reveals the historical transition based on broadening history, especially at the time of configuring contemporary America art. The avant-garde art is useful in modern art based on the industrial revolution with enormous changes in manufacturing as well as transport and technology (Flores & Huyssen, 2017). Art affects how people live, work, and travel throughout the world while inspiring social changes that lead to prosperity. The demand for urban architecture, as well as applied art and design, has led to the developments inspiring the artists to explore new themes.

The avant-garde art has shown philosophical developments with a significant effect on architecture. The modernist avant-garde through the realist painting reveals the growing political thought with the interpretation of the notion of the subconscious allowing the artists to explore symbolism expressing the subjective feelings and experience. The modern avant-garde art embraces the classic painting and sculpture while unifying the characteristics that define the contemporary era. Although modern avant-garde art differs with present-day art due to the new types of art based on several genres of photography. The use of new material for the contemporary painters has created work of Junk art with everyday items in the present day. As a result, there is an expressive use of colors that explores new techniques for the introduced printing of fine art (Pollock, 2016). In the art of the avant-garde, some implications reflect on a unique historical perspective with the description of the artist's actions and works exhibited through performance. The avant-garde art distinct the art within the context of historical concepts, which is identified through culture and increasing development and multiplication of contemporary society.

The modernism should adapt the progressive ideas based on the modern progress which reintroduces the humanity of the system. The modernist avant-garde can reflect on the indigenous art while drawing to the culture of modernism with the need for stabilizing the society. The modern has pushed civilization to the new social and cultural levels with expanded technology. It incorporates the various changes into contemporary art while exploring the conflicts of technology as well as life situations. The original form of art engages social and political ideas while linking the emotional content of the artwork. Modern art, therefore, takes avant-garde ideas while incorporating it into contemporary society. The historical architecture of the avant-garde allows social progress in modern society that keeps natural human evolution.

References

Bois, Y.-A., & Krauss, R. E. (2015). The Originality of the Avant-Garde and Other Modernist Myths. Art Journal, 45(4), 369. https://doi.org/10.2307/776815

Cody, G. H. (2017). The Explicit Body in Performance (review). Theatre Journal, 49(4), 543 544. https://doi.org/10.1353/tj.1997.0100

Flores, R., & Huyssen, A. (2017). After the Great Divide: Modernism, Mass Culture, Postmodernism. World Literature Today, 61(4), 681. https://doi.org/10.2307/40143980

Pollock, G. (2016). Moments and Temporalities of the Avant-Garde "in, of, and from the feminine." New Literary History, 41(4), 795-820. https://doi.org/10.1353/nlh.2010.0030