Anton Webern Passacaglia for Orchestra OP. 1 Analysis

Introduction

Anton Webern was an Austrian composer and a conductor. Anton Webern was born in Vienna, and he was the only surviving son of a civil servant, Carl von Webern. Webern got admission in Vienna University where he pursued musicology with Guido Adler. Anton Webern participated in much composition writing in his lifetime. In the entire life of Webern, only thirty-one composition featured on publication. Webern participated in music writing, and he wrote the music that were correlated and cohesive. Anton Webern participated in many work in his composition. The work of Anton Webern were variations of the piano, string quartet, Langsamer Satz, and the passacaglia for orchestra. The paper discusses the composition of Anton Webern in the passacaglia for orchestra OP. 1 analysis. The first piece of Webern, passacaglia for orchestral work advanced his language. The passacaglia consisted the lieder, the genre that most people believe that that the roots in German romanticism. Webern's music emphasizes on the counterpoint and formal consideration.

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Anton Webern conducted the first performance in Vienna when he wrote his composition on passacaglia in the year 1908. Anton Webern termed OP. 1 as a composer's card, and it was the earliest music that Webern officially sends into the world. The orchestral music was a touching and historically pertinent, and it seldom stayed in the repertory. Instrumental music became the OP. 1 of Anton Webern because it was first one and got many public likes. The music contained original statements, and due to the general likings, the orchestra has become the best song that Anton Webern has ever write (Wikipedia). The music orchestral acquired the most tastes in the public because the subsequent work that Anton Webern printed did not match the satisfaction of people. The passacaglia acknowledged the effect of Webern's graduation thesis. The music predicted great things. Passacaglia is one of the best and fantastic piece of music that holds a unique place in the oeuvre and is helpful in most of the starting points for different exciting and vital career. Therefore this made Webern's work the passacaglia to get the credit of being op 1. The passacaglia marked the beginning of Anton Webern's career as he wrote the music when he was mature and developed.

The piece passacaglia touched the minds and the heart of different people. Though the piece was not a pinnacle of Webern's carrier, most people played the piece regularly. The piece is neither dance nor a triple meter but structurally based on an eight-tone note toe row that forms a bass line with twenty-three different variations grouped into three separate paragraphs. The passacaglia music founds the form of the seventeenth-century musical style (Wikipedia). Most of the work in the passacaglia related to the death of Anton Webern's mother who died in the year 1905. The loss of the mother became a crushing loss that Anton Webern never recovered. This acted as an inspiration to Webern to write his op one song that is touching and historically patent. The music helped in opening a platform for Anton Webern and helped to transform Anton Webern and make him professional. At some points, the music was the beginning of everything and the work 'clearly Anton Webern's faith in the quality of the jobs.

The form of passacaglia proved an enduring form throughout centuries. The work emerged the best and different composers in the world in the 21st century still use the work of the passacaglia. The passacaglia had the essential feature that made the music enjoyable. The music was short, had a resolved chord progression and many people continuously repeated playing and using passacaglia as a continuous harmonic bedrock for a series of improvisation or inventive variations. The music does not often base on bass. Anton Webern in his work the passacaglia, he insisted on the nuance, rubato, lyricism, and he derived the intellectual and emotional understanding in the performance of his OP 1. Webern arranged his tones so as he can take advantage of internal symmetries such as the twelve-row being divisible into at least three or four groups of equal pitches that have a different variation. The different varieties can be retrogrades or inversion of the tones to create a possible invariance. There is a motivation derived from the lines of the song since some melodic are melodic and moving the lines from one instrument to another in a technique called klangfarbenmelodie thus creating a rhythm.

Conclusion

In conclusion, we can evidence that Webern's Passacaglia is the music that rocked the world over centuries. The melodic and the lines of the music creates an environment where the individuals repeat playing the music without getting bored. Although passacaglia was not the only work that Anton Webern wrote, it transformed Webern and improved his faith the quality of music. The music and the work of Anton Webern will continue remaining in the minds and the heart of people over centuries.

Work Cited

Schuijer, Michiel. Analyzing Atonal Music: Pitch-Class Theory and its Contexts. University Press Rochester Press Publishers. 2008. Eastman Studies in Music. ISSN 1071-9989. ISBN 1580462702, 9781580462707. Print.

Wikipedia. Passacaglia and Fugue in C Minor, BMV 582- Wikipedia. HYPERLINK "http://en.m.wikipedia.org/wiki/pasacaglia-and-Fague-in-c-minor,-BMV-582"

Wikipedia. Passacaglia for Orchestra (Webern)-Wikipedia. HYPERLINK "http://www.en.m.wikipedia.org/wiki/passacaglia-for-orchestra-webern"