Paper Example on a Guide to Appreciating Art: Architecture, Sculpture, Mural Paintings

Cheney, Sheldon. An Art-Lovers Guide to the Exposition: Explanations of the Architecture, Sculpture and Mural Paintings, With a Guide for Study in the Art Gallery. Good Press, 2019.

The author, Sheldon Cheney, provides a vivid explanation of the architecture, mural paintings, and sculptures. The author points out various crucial points that pertain to successful painting and drawing. According to Cheney, a clear description of artwork is crucial to enable readers and viewers to see the artwork vividly (Cheney 7). Just as Cheney explains, Harrison's artwork, "Place," brings a beautiful impression of the physical landscape of the Long Beach in a unique manner. The impression made by Harrison in his artwork portrays a careful mix of the observable physical space and memory.

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Hall, Kelly. Fourteenth Street Flaneur: Masses, Classes, and Illustration in Great Depression Era Artworks of Reginald Marsh. Diss. Azusa Pacific University, 2019.

Kelly Hall describes the various artistic depictions of the American scenes. The author portrays a vivid depiction of materials as well as the association with the medium of presentation as critical components of an artwork (Hall 12). There are a lot of similarities between Hall's illustrations of artwork with Harrison's painting, "Place." Harrison's painting of Long Beach is full of colors with significant texture and line patterns to produce specific meanings. For example, the fine-texture of the blue sky, water, and columns brings them close to reality. The image is well adorned with a perfect mix of color and texture to create a fantastic impression on the viewer.

Morris, Kate. Shifting Grounds: Landscape in Contemporary Native American Art. University of Washington Press, 2019.

Kate Morris explores a wide range of concepts concerning landscape representation on canvas. In this book, the author explored the themes of memory and commemoration, presence and absence, connection and dislocation, as well as survival and vulnerability to illuminate the sustained engagement of the artist not only with the landscape but also the history of representation. Kate observed that modern artists had made a great step to expand, reconceptualize, and redesign forms of artwork (Morris 5). This is the case of Harrison's "Place," whose painting by far surpasses the conventional methods of representing the physical landscape on canvas. The artwork presents impressive components of the beach environment with a fascinating mix of naturally observable features and memory-generated portions to create a wonderful image.

Works Cited

Cheney, Sheldon. An Art-Lovers Guide to the Exposition: Explanations of the Architecture, Sculpture and Mural Paintings, With a Guide for Study in the Art Gallery. Good Press, 2019.

Hall, Kelly. Fourteenth Street Flaneur: Masses, Classes, and Illustration in Great Depression Era Artworks of Reginald Marsh. Diss. Azusa Pacific University, 2019.

Morris, Kate. Shifting Grounds: Landscape in Contemporary Native American Art. University of Washington Press, 2019.