Musical Analysis of the Song "A Little Happiness" Essay

Song and music get described by certain characteristics like pitch and melody. Artists decide whether their song contains regular or irregular beats depending on the intention of the piece. "A Little Happiness" can serve perfectly as a theme song due to unique features that it displays particularly with its pitch and melody. It elicits the emotional feelings of the audiences and enhances their concentration. Theme songs like the one above normally get carefully selected to synch with the subject crafted by the artist. However, melody and pitch can get described from the proposition of music and science aspects demonstrated by frequency. Therefore, this paper describes pitch and melody from the proposition of musical analysis of the song "A Little Happiness."

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PitchThe striking of a musical instrument like a drum, guitar, and piano produces a single sound that can get described by its loud nature or otherwise (Aldridge & Aldridge, 2008). For instance, "A Little Happiness" song starts with a sustained soft but audible sound of a musical instrument. Even though frequency aspect of the pitch depends on the vibration which either takes a high or low measurement, the pitch of the song in this context combines both. "A Little Happiness" song exhibits a piece with both high and low pitch but in varying proportions. It serves its theme strategy for the romantic feelings that it arouses throughout. Pitch can decipher meaning when carefully crafted. The musical beats accompaniment that the song adopts aesthetically sustains the audience's concentration to the piece (Tien, 2015).

Conventionally, the tune for a song gets dictated by the pitch (Emmerson & Landy, 2016). Most songs including "A Little Happiness" adopt a standard pitch tune of 440 hertz since the high tune of 453 strained many singers' voices. The effectiveness of the pitch should showcase by its ability to match the activities of the song including the verbal voices in the piece (Mah, 2009). "A Little Happiness" has an octave sound vibration. It means that the song is dominated by a sound wave that is a predominantly lower note. The song, therefore, adopts an acoustic relationship which becomes diatonic in form and content. The song's pitches get organized in seven scaling degrees and form a stepwise arrangement without altering existing key mode as depicted in the movement and wavelength of the piece (Tien, 2015).

Melody

Melody gets derived from the pitch's linear sequence (Gordon & Jubin, 2016). However, such a description remains largely opinionated as dictated by the listener's perception but in a singular entity. The song "A Little Happiness" contains embellishments which are special but complex notes that trills and consequently slides in different melodic lines. The instrumental rhythms in the soundtrack are synching with the song in ways that mirrors metaphorical meaning of it. The romance that dominates the air within the song greatly gets captured by the melodic lines that persist with it. The frequent falling and rising intervals described by the high pitch gives a rocking melody of the song "A Little Happiness" (Tien, 2015).

The song develops a melodic contour which technically dictates its shape and the synchronization as displayed by the harmonic patterns therein. However, it is the melodic contours within "A Little Happiness" that determines the romance feelings of the song. Ideally, the artist crafts the motif of the song by the use of the rising and falling melodic lines in the music. It relieves a soothing feeling dominated with tenderness but one that is breathtaking. Further, the song's melody exists in succession thereby achieving the continuity features of music. The composure of the piece intelligently creates regular ornaments and embellishments with the frequent extra notes produced by the sound instruments used in the song (Tien, 2015).

Finally, the trills and slides that exist in "A Little Happiness" realize a scalar motion which can effectively tell its melodic motion. For instance, the song develops a conjunct melody since there is a varying interval of falling but slow pitch which changes after that. The rhyme pattern shows the regular nature of "A Little Happiness." Despite the steady melodic motion of the song, there exists a wide melodic range which makes it easier to perceive the next pitch. For instance, the song starts with a rising intonation which fades afterward and turns into a falling note. Nevertheless, the harmonic distance between the higher and low pitch gives it a relatively smaller melodic range (Tien, 2015).

Conclusion

In conclusion, the musical analysis of the song "A Little Happiness" depicts a piece that is perfect and predominantly romantic. The melodic and pitch description of the song showcase artistic works that are carefully crafted. The trills and slides of the melody elicit a soothing feeling that occurs with most theme songs. Therefore, the elements like melodic motion and range enable one to perceive "A Little Happiness" song from harmony that reverberates throughout. The pitch intonation of the song gives it rhythmic feature portrayed through its regular beats. For instance, the soundtrack that plays in the background perfectly blends with the voice singing in the entire piece. It can, therefore, get concluded that the song has both high and low pitch as well as melodic lines as described therein.

References

Aldridge, G., & Aldridge, D. (2008). Melody in Music Therapy: A therapeutic Narrative Analysis. London: J. Kingsley.

Emmerson S. & Landy L., (2016). Expanding the Horizon of Electroacoustic Music Analysis: Cambridge University Press.

Gordon R. & Jubin O., (2016). The Oxford Handbook of the British Musical: Oxford University Press. New York.

Mah, A. Y. (2009). Chinese Cinderella. London: Puffin.

Tien H. (2015). A Little Happiness: Our Time. Retrieved from https://www.youtube.com/watch?v=_sQSXwdtxlY&list=PLs9_q4cTlbr1-m42IOLImO1CIM2pAyg4J