James Cameron's Epic 'Avatar' - Movie Analysis Essay

Introduction

James Cameron directed and produced an action science-fiction movie known as AvatarAvatar, which was released in 2009. Avatar was the highest-grossing movie in history, exceeding $2.5 Billion marks worldwide, with a costly budget of $280 Million (Leonhardt 2010). It is a compelling movie with visually stunning, impressing both adults and children. Avatar is set in 2154 when humans have exhausted natural resources on the Earth. Avatar happens near human civilization's future, unluckily, unhappy with the state of the Earth and humans (inhabitants). The movie Avatar by James Cameron gives a compelling story featuring a narrative plot, superb characters as well as fantastic characters.

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The action took place in an almost future that dislikes the Earth and its occupants. To exist, people living in the depleted Earth require support from natural resources. The people discovered an essential gas located in Pandora, a place that was toxic for them. The toxicity influenced the scientists to utilize avatars, which were crossbreeds controlled by genetically accorded humans similar to Pandora's Na' vi aborigines (Kohler, Kurt and Johann 402). They lived harmoniously, but because humans lack satisfaction and like taking what they want even by force, they flooded Pandora and needed to be stopped. The main character was Jake Sally, who got an opportunity to work with the scientists that exploring Pandora's atmosphere. He used that period to persuade the Na'vi to relocate from the people's colony.

A significant part of the movie occurs in the spotless forests of Pandora that appears blooming in bioluminescent vegetation as well as a strong intensity of its colored wildlife (Ducheneaut, et al. 2009) The depiction of the forest is in Avatar is unbelievable beauty sparkling in the world. It is usually very bright and radiant during the daytime, while during the night, it appears the jungle was lightened with neon and black lights. The glowing nature of grass momentarily when step on then gradually fades away; moreover, vegetation is in blues and purples, making the movie sparkle. Save for one or two sets of the film, the rest were rendered for computer technology or the completely invented environment showing the glossy eminence quality of the flora, the magnificence mountains, and the glowing atmosphere makes one lose themselves in the designed realism (Blattner, John and Andrew 2009).

A fascinating way in which the avatars resemble the hosts while maintaining its relevance. Avatar was presented in 3-D, however, on screens showing in 2-D, the Na' vi look like a 3-D (Lee, Mikyoung, and Wei 2013). The comparison of Na'vi to a human would take a viewer about three minutes to acclimatize due to their massive size. Moreover, Cameron mastered the art of putting together a sequence of humorous actions, the movie clocking 162 minutes. There are evident themes of environmentalism and anti-militarism and portrays them as narrow-minded individuals and aggressors, possibly because their closed minds are depicted as a wrong against humanity. Ultimately, the rotten humans are cheered for, and Cameroon played a critical role in depicting the guiltiness of the inhuman nature of the current human species.

Cameron created a film that could easily associate people and the environment by developing something that is possibly waiting for us in the future. The Earth contains forests, vast natural resources, and freshwater becoming extinct as a result of the deeds of the current society. Avatar appears to be an environmental film where he plays dissimilar, opposing a isolated earth to a plentiful and substantial Na'vi land. "Everything is backward now, like out there is the true world, and in here is the dream...," Jake states after he spent significant time with Na'vi and suddenly feeling that his life attached to the Avatar is actual compared to the human world. Cameron directly depicts a strong environmental message since he portrays all the fancy things that one would wish to appear in the environment, it maps to the contemporary issues on Earth and the negative impacts that affect humans. "Humans must strive to remain humans despite what happens to the environment and are inseparable to nature...." The primary moral is that the secret to a happy life is tied to the environment, harmony with oneself, each other as well as nature (Michelle, Charles and Florin 112)

Several instances of symbolism appear in the movie; first, Jake gets injured and ultimately turns disabled from a military activity land can no longer use his legs. However, when allied to the AvatarAvatar, his ability to consciously relate to a creature that can move, contrary to what he can normally do. Therefore, AvatarAvatar is a symbol of mobility, and Jake can utilize his body through technology, which can enable new ways of doing things.

Finally, Avatar is and will continue to be among the most revisited moves by James Cameron. It does not have the pop-culture language, which has rendered some of his films unwatchable. It contains an allegorical edge which depicts it as a narrative and through his astronomical tactics, Cameron has proved to be a landmark director with creativity and impeccable ability to change the industry with a unique way of connecting to his audience. Certainly, Avatar offers a unique experience with innovations in the filming techniques that can light up a huge jungle of Pandora. Avatar is a tale of colonialism and misuse of natural resources that will end up hurting the future generation.

Works Cited

Blattner, Patrick D., John D. Robinson, and Andrew C. Weaver. "Multiple avatar personalities." U.S. Patent No. 7,636,755. 22 Dec. 2009.

Ducheneaut, Nicolas, et al. "Body and mind: a study of avatar personalization in three virtual worlds." Proceedings of the SIGCHI conference on human factors in computing systems. 2009.

Kohler, Thomas, Kurt Matzler, and Johann Fuller. "Avatar-based innovation: Using virtual worlds for real-world innovation." Technovation 29.6-7 (2009): 395-407.

Lee, Mira, Mikyoung Kim, and Wei Peng. "Consumer reviews: reviewer avatar facial expression and review valence." Internet Research (2013).

Leonhardt, David. "Why 'Avatar'Is Not the Top-Grossing Film." The New York Times online (2010).

Michelle, Carolyn, Charles H. Davis, and Florin Vladica. "Understanding variation in audience engagement and response: An application of the composite model to receptions of Avatar (2009)." The Communication Review 15.2 (2012): 106-143.