Hitchcock's Wrong Man - Annotated Bibliography

Cavallero, J. (2010). Hitchcock and race: Is the wrong man a white man? Journal of Film And Video, 62(4), 3. doi: 10.5406/jfilmvideo.62.4.0003

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The article is written by Cavallero, who is an assistant professor in the department of communication at the University of Arkansas. He has done several works that have appeared in several journals, including the journal of popular film and television, MELUS, and Italian Americana. It reflects on the work of Alfred Hitchcock, focusing more on the issue of race and ethnicity. Cavallero indicates that of all the work done by Alfred, the effect of race and ethnicity has been neglected. The article looks at some of the works done by Alfred that speak about race and ethnicity. It focuses more on the Wrong Man, which is a downbeat film about a middle-class Italian American who was wrongly accused of robbery. The article also talks about how scholars have chosen to focus on the issue of gender norm and psychoanalytic part of Alfred films choosing to ignore ethnicity. The material is well written, making it easy to understand. It is also divided into different sections that elaborate on the various movies used in the article, making it easy to follow through and understand. The article focuses on how people from a specific race are treated with prejudice compared to those form other races who are well treated.

Kapsis, R. (1989). Reputation building and the film art world: The case of Alfred Hitchcock. The Sociological Quarterly, 30(1), 15-35. doi: 10.1111/j.1533-8525.1989.tb01509.x

The article is written by Robert Kapsis, who is a professor at the Queens College of the City University of New York. It describes the changes seen in the reputation of the film art industry. It describes the changes observed in the status of Alfred Hitchcock from a popular entertainer to an eminent auteur. The article traces the work of Alfred from the 1960s. It, however, puts more emphasis on the role of sponsors and the role played by Alfred in transforming the film industry. It also examines some of the factors that are likely to slow down, speed up, and undermine the reputation process. It also explores the effects of Alfred's reputation change and the development of suspense. The article describes how the aspect of reputation gets developed through a process of consensus building. It explains how the status of Hitchcock changed from being unpopular before the 1960s to being one of the most recognized film artists. The article is divided into different sections making it easy to understand.

Rolim, M., Peixoto, J., Lobo, F., Albuquerque, S., Lima, S., & Macedo, I. et al. (2018). The analysis of psychopathology in Alfred Hitchcock movies. International Archives of Medicine, 11. doi: 10.3823/2582

The article is written by Rolim, Peixoto and Lobo, and it describes how psychiatry began to use cinemas as a helpful resource for the study of psychopathology. It explains how the films of Hitchcock present the issue of mental disorder and psychoanalysis. The article's primary focus is to evaluate the role of Hitchcock's films to understand psychopathology and to identify the distortions present in Alfred's works. It also seeks to justify this works based on historical context. The article is divided into various sections making it easy to follow and understand. It mainly focuses on the films that have mental disorders as the central theme or those that antisocial personality disorder. The article then goes ahead to identify what each of the six chosen films is all about. It then concludes by indicating the importance of these films in understanding psychiatry. The authors' information is strongly supported with evidence from the movies well illustrated, making the source credible for use.

Teachout, T. (2009). The trouble with Alfred Hitchcock. Commentary, Inc., 127(0010-2601). Retrieved from https://scholarsarchive.byu.edu/etd/2526/

Terry Teachout wrote the article, and it talks about the influence that Alfred Hitchcock had in the film industry. It is after he received the second-most votes from the scholars. He also managed to be position eight out of 100 best film artists. Several critics saw the works of Hitchcock were the best and can only get compared to be among the best practices of the artists of his time. The article also indicates the issues that made critics and scholars change their views about Hitchcock. The report uses simple English that is easy to understand. It is also divided into different sections for ease of reading. It highlights some of the things that made Alfred's films to be among the best. It also brings out the psycho aspect of Hitchcock, as seen in his movies. The article uses examples from the films done by Alfred Hitchcock to support its arguments making it a credible source for use in the research.

Wolterstorff, E., & Grassmann, H. (2013). The scene of the crime: traumatic transference and repetition, as seen through Alfred Hitchcock's Marnie. International Body Psychotherapy Journal., 13, 29-43.

This article is written by Eric Wolterstorff and Herbert Grassmann, who has a Ph.D. in psychotherapy. The material is written using simple English that is easy to understand and is divided into different sections. The article talks about the integrated approach to treating transference dynamics. It tries to explain how the autonomic nervous system of an individual behaves after they have experienced stress, or they are traumatized. The article attempts to integrate three articles on family therapy, new understanding about memory, and insights on the behavior of the nervous system after stress and trauma. It then uses the three approaches to identify the complex interpersonal dynamics that get observed when psychotherapists work with clients that have experienced trauma, which they refer to as "in-group trauma." The article uses five different ideas to conceptualize the memories of group traumas. The report also integrates the implications of traumatic experiences for clinical intervention. It uses the fictional studies of Marnie, a psychological thriller by Alfred Hitchcock.

References

Cavallero, J. (2010). Hitchcock and race: Is the wrong man a white man? Journal of Film And Video, 62(4), 3. doi: 10.5406/jfilmvideo.62.4.0003

Kapsis, R. (1989). Reputation building and the film art world: The case of Alfred Hitchcock. The Sociological Quarterly, 30(1), 15-35. doi: 10.1111/j.1533-8525.1989.tb01509.x

Rolim, M., Peixoto, J., Lobo, F., Albuquerque, S., Lima, S., & Macedo, I. et al. (2018). The analysis of psychopathology in Alfred Hitchcock movies. International Archives Of Medicine, 11. doi: 10.3823/2582

Teachout, T. (2009). The trouble with Alfred Hitchcock. Commentary, Inc., 127(0010-2601). Retrieved from https://scholarsarchive.byu.edu/etd/2526/

Wolterstorff, E., & Grassmann, H. (2013). The scene of the crime: traumatic transference and repetition, as seen through Alfred Hitchcock's Marnie. International Body Psychotherapy Journal., 13, 29-43.