Essay Sample on Johannes Vermeer: Innovating Art with Virtual Reconstructions

Introduction

Johannes Vermeer brought about a new virtual reconstruction in the art industry. In his work, 'woman with a water pitcher,' Vermeer modified the techniques used by historian Lawrence Glowing called the 14 pearl pictures. The reconstruction is noticeable in the first phase of painting where the woman left-hand extends from the pitcher; extensions are complications of a drawing. In this work of 1560, Vermeer transformed by moving away from cubical interior spaces guides- which he had previously introduced. Vermeer modified the cubical space work into linear perspectives, and geometric order reset in the art industry in favor of simple compositions (Kim, 2008). The pictures of the direct aspect of the Vermeer's work have a very close view; the image is more intimate, and the figure themes carefully depicted.

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Vermeer changed the artistic behavioral concept of light into predominant aesthetic concern. Today Vermeer's historical invention in the pearl work is noticeable from the infrared reflect-grams. The artist's ideas are applicable in the reconstruction of similar initial composition with a high degree of accuracy-the structure of Vermeer showcase the elements of best artistic devices (Kim, 2008). The woman has been portrayed at the center of the drawing to create focus- Color palettes applied in the subject through unique ultramarine and black undertone. A dark midnight hue is visible in the woman's dress, window, and the map road. The medium that Vermeer uses in this artwork is a reflective surface that indicates windows and glass shadows- this is a historic input in art.

The headcover of the woman has been laid with mastery tactics to indicate simplicity and the social class of the woman, a medium or high economic categorization. Vermeer's mastery in art lies in the formality of the work, which is a representation of the subject matter. In this drawing, Vermeer allows the spectator to observe the harmony and beauty beneath existence (MET MUSEUM). Achievable by the outstanding line details example, the cadence from the lines in the women's arms and amiable expressions, which show the warmth and sensation of restraint. The table and the chair behind the woman have an illusion of three-dimensional skills in artistic history. The chair and the table are a show of the woman's activity engagement.

The woman in the picture is young and portrays intimate moments in the household of the 17th-century Dutch community. Vermeer has used a smooth medium on the face of the woman to show young status and a point of thought; the woman is starring with one had at the window- this is an indicator of profound observations or ideas. The Hoofdoek is a symbol of the cold environment in the illustrational area. Hoofdoek also shows the neatness of the woman as she covers the hairstyle in her room before public engagement (Jason & Jonathan, 2009). To the met museum, the culture and living of early women are noticeable in this picture (MET MUSEUM). The woman participates in household chores and ensures dignity. Artistic images created by the presence of a jewelry box, an indicator the room is private (Jason & Jonathan, 2009). Before, in many artworks, it was not easy to locate the specific backgrounds of paintings. Therefore, Vermeer's work is a historical theme.

Conclusion

The dimensions of this work referred to in art history as Vermeer's camera uncovers the real masterpieces. Vermeer reconstructs the demonstration of geographical detail in the map into a definitive ration making its direct representation of the area on the map. Heights and withs are cases of the best measurements in the painting (Jason & Jonathan, 2009).

Works Cited

Janson, Jonathan. (2009) "Critical Assessments: Young Woman with a Water Pitcher." Understanding Woman with a Water Pitcher by Johannes Vermeer. Retrieved from: www.essentialvermeer.com/cat_about/pitcher.html.

MET MUSEUM: Johannes Vermeer paintings- a young woman with a water pitcher. Metmuseum.org, www.metmuseum.org/art/collection/search/437881.

Kim, Jong-Jin. (2008). "A Study on Spatial Characteristics in the Paintings of Johannes Vermeer." Historical Institute of Art and Design Journal 17.2: 22-29.