Course Work Example. Analysis of The Joy Luck Club Movie

Date:  2021-04-09 05:23:29
3 pages  (757 words)
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Middlebury College
Type of paper: 
Course work
This essay has been submitted by a student. This is not an example of the work written by our professional essay writers.

Submissive, shy type, dragon lady, prostitute/eager for sex and damsel in distress.

This statement illustrates how women especially Asian, in the Hollywood movies are perceived and highlighted as sexually passive and submissive.

Why does Hagedorn say that the film The Joy Luck Club "carries a lot of cultural baggage" (para. 11)?

This is because of the film involves a Chinese-American migrants who relocates to San Francisco and establish a club that largely renders Chinese culture such as games and food. The cultural baggage suggests that there was a conveyance of values of one culture to another culture.

What sorts of images of Asian women challenge racism stereotypical images of Asian women in the film?

One sort of the images used in the film as a form of a contest to racism stereotypical images was the china doll which depicted the disparities of feminine obedience. Consequently, these disparities were representations of harmonized categorization such as Geisha Girl, Lotus Flower, Servant, or China Doll to show compliant, humble, while others like sex Nymph showed erotic, cunning and devious.

How did the response to Butler and help differ?

In the Butler, white characters are subordinate to Cecil's show. The whole idea is intertwined with her life. In the Help, however, Aibileen's story is firmly tangled on the white ladies who are close to her. This idea, however, did not go down well as it underpins the conception that black women are not capable act on their own.

What does Viola Davis mean by saying, "The black artist cannot live... in a revisionist place" (para. 6)?

She tries to elucidate that the Africa- American artists are much apprehensive with the appearance and message rather than implementation. Consequently, their image is narrowed down to a level where they are completely impractical. The disgusting part is that the blacks have set this notion in their mind-set, which is only destroying them.

Define "magical negro"?

The magical Negro is a supportive firm personality, mostly in a narrative, who by the use of distinctive acumen or supremacies assists the white characters out of distress.

Define in your words the "mammy" (para. 6) role in films.

A mummy is a cumbersome, Africa-American woman, with tender figure and with enormous breasts in films.

Films that employ "magical negro" why is this problematic archetype?

The notion that Magical Negro are characters set in a movie to favor and protect only the white characters raises a question on racism. It, therefore, discriminates the black to the point that they do not need help or protection in their time of anguish.

Explain in your words Max Weber's notion of "disenchantment" (para. 4)?

This is a personality that portrays rationalized and rigid cultural aspects of the western society, where methodical comprehension is critically esteemed compared to faith or perception. All progressions are focused on domestic objectives as opposed to customary civilization.

What is Folch's explanation for why Western film audiences find the supernatural and futurism appealing?

He claims that the western society is tenacity to contemporary science, an upsurge in secularism and objective market economy are managed through bureaucracies instead of a bond of cultural devotion. They see the universe as intelligible, coherent and scientific. They thus tend to incorporate scientific ideas in their film. For this reasons the western society always strive to reinsert the hypothetical mysterious into the heart of methodical progressions.

According to Folch, what are the cultural reasons Indian film audiences are not "keen on" science fiction and fantasy?

Folch suggests that the Indian film audiences are not so much bound to fictitious and imaginary films because they like focusing on the cultural contexts rather than from the world-weariness.

Why has Hollywood produces had to difference in deciding how to portray a female hero? - How can a female serve a damsel in distress?

In most cases, Hollywood have been found to use radical means in the way they portray women. They usually use the criteria of social labels of females for men. Men are usually in control which upset the social casting of women and in return, disturb communication. In damsel in distress women would be given minor and lesser characters with narrow and constrained rising agility.

9/11 have an impact on the comic industry?

9/11 effect was tragic in every industry, in the comic industry, it affected it economically. However, comic industry was revolutionized during this disastrous moments as more and more comical film were produced to help the Americans, especially children cope with the deadly effects, rather than focusing much on disgusting and emotional pictures of the aftermath.



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