The Ideology of Color: Kandinsky & Matisse - Essay Sample

Introduction

Colors are attractiveness property that an object possesses and produce when an individual's eye sensation receives the results after reflection of light. There are several ideologies of color analyzed by an individual across the globe. Wassily Kandinsky and Henri Matisse are the main characters who brought much interest in the study of colors and artistic work. The section highlights and compares and analyzes the work of the two artists in depth to establish the different views of color.

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Colors are used in artistic paintwork to display a hidden meaning. According to Wassily, paints connect spiritually in the human body since they mostly affect human emotion and surpass the cultural and physical boundaries among individuals (Amiraghaie & Mehrdad, 53). Henri's views concerning color gives a different perspective as he used colors for physical analysis of objects. He mostly uses white color for painting purposes of revealing the materials that are not easily bleached (Amiraghaie & Mehrdad, 47). Henri used different materials of distinct characteristics for his artwork. His idea was significant during his career.

Kandinsky viewed colors in a painting as the idea of visual perception of an internal interest and desires of the artists. To expound on, he stated that artists who practice artistic paints and experience got enthused by their emotions and feelings (Amiraghaie & Mehrdad, 50). It was as a result of different moods and affection from different colors which brought about different paintings to describe different views of colors. Matisse's views on colors were basically from the inspiration of other cultures. Several continents exhibit different approaches of colors by looking at the necessary cultural and religious practices, such as the decoration in the Islamic arts during ceremonies (Brown & Kathryn, 17). In this case, Henri helped in expounding the smooth and effective way of viewing colors. The statement also sets an inspiration to the artist on how important colors are to society.

According to Kandinsky, music is an essential part as it reveals the different images with pure sounds. He attempted to spiritually connect colors in the paintings with the sound and emotions of an individual in his work of art (Amiraghaie & Mehrdad, 42). It was significant as it shows the positive views of colors and how he made use of it in an effective and educative manner. Based on Henri, his work reflected the moods and personality of his models. Mostly, he uses his work for his feelings and establishes designed monuments (Brown & Kathryn, 29). The Fauvist work justifies that the feelings were important to him, but the task became neglected.

Matisse's Intention of Viewers in Line with Kandinsky's Work

In 1911, the color theory of Wassily Kandinsky was established and expounded in two main ways that described it. The first description is that colors depend on an individual's real understanding of color. Another description bases on the psychological impacts of color and how it affects the spiritual experience of an individual. Henri Matisse was a France influential painter in the twentieth century (Brown & Kathryn, 33). Henri frequently used colors for establishing shapes and forms for study. The section states the intention Henry had towards the viewers on Kandinsky's work

Henry's usage of colors influenced many painters and artists after him. It opened up a platform for new ideas that challenge traditional practice across the globe. Matisse had the intention of stimulating the physical, psychological, and sensual response of viewers concerning the color theories written by Kandinsky (Brown & Kathryn, 44). The feedbacks of the viewers were positive as the current usage of colors appears on several occasions. Psychologically, the viewers responded by establishing institutions of learning the art and embracing the beauty of art in society. The sensual aspect of the response shown is where individuals tend to practice more of art daily through their clothing, designing, and ceremonies.

Comparison of the Two Artists

Stating the similarities of the two artist's work, they both have creative use of colors in the society. On the other hand, both artistic works involve the interest of an individual toward the use of color. These theories can only exist if a person is willing to participate in the art (Flood & Finbarr, 44). The two artists are alike since their color theories affect the emotion of individuals. It is justified that Kandinsky's theory bases itself on personal understanding and the psychological impact. Henri's approach embraces the statement practically as his work influences him but got rejected (Flood & Finbarr, 47). Both artists were an impact on society as they set a good role model by altering other artists on their artistic practice.

The differences between the two artists show that Kandinsky's work does not involve the use of real people but lines and shapes to illustrate his color theory whereas, Henri's work includes original forms and people in his artistic practice (Flood & Finbarr, 51). The statement is justified where Wassily's work encompasses theoretical analysis on the creativity of color while Matisse practically made ornaments and shapes as evidence of his work. Wassily used water-cooled paints in his artistic practice as Henri used tempera paints, paper, and scissors for his artwork (Flood & Finbarr, 56). On the other hand, Kandinsky painted a few paintings compare to the ones Matisse did in the past.

Work Cited

Amiraghaie, Mehrdad Ahmad. "The adjective comparison of west imagination works and Persian painting." International Journal of Research in Social Sciences 8.4 (2018): 312-325.

Brown, Kathryn. "Against Autobiography: Henri Matisse's Essays on Art." Life Writing 12.1 (2015): 43-58.

Flood, Finbarr Barry. "Picasso the Muslim: Or, How the Bilderverbot became modern (Part 1)." Res: Anthropology and aesthetics 67.1 (2017): 42-60.