Essay Example on 17th C. Art: Inspiring Artworks of Domenico, Jacob, & Giovanna

Introduction

The history of architecture is traced back to the 17th century, where renowned painted and artists were born, lived, and died. Among these artists include Domenico Bruni, Jacob Duck, and Giovanna Garzoni, among others. The artists of this century focused on historical, religious, and cultural artworks that have built a foundation for the artists today. Some of the recognizable works of this period include decorative initials, a painting of Roger Williams, Timeline of French fashion painting, the Walk Home for Pilgrims, and a portrait of Public Hanging in the 1600s. Therefore, the purpose of this paper is to create a personal museum based on the artworks of the 17th century by describing the role of each artist alongside their curators.

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The glory of San Martino.

Domenico Bruni, an Australian painter, created the painting. Bruni was born in c.1600 and died in 1666 (Fumagalli, 2019), having lived his life in Brescia during the Baroque period. Bruni's curator was Tommaso Sandrino, with whom they trained together. The two helped in the decoration of the church chorus in Carmine, Brescia, in 1634. The Glory of San Martino is located in the church of San Martino in Venice Plafond. Below is a portrait of the painting.

Guard House with soldiers and a pack of cards

The painting was drawn and decorated by Jacob Duck. He was a painter and etcher of the Dutch origin who lived between 1600 and 1667 (Etro & Pagani, 2013). Born in Utrecht, Duck received training in the town from 1611, after which he became a goldsmith. He mastered the goldsmith craft in 1619. He diverged his attention to drawing in 1621, where he received training from Joost Droochsloot as his curator. The duck was a traveler and loved expanding his knowledge in artistry. His early life was in Utrecht, whereas between 1636 and 1646, he lived in Haarlem. He later moved to The Hague between 1656 and 1660. He loved painting scenes, soldiers, and other daily events, like in the portrait below.

La mort d'Adonis and Danae

The two paintings were made by Jean Monier, who lived between 1600 and 1656 (Fumagalli, 2019). Monier was born and died in Blois. Monier's father, Jean, was a glass painter hence his earliest curator. One of his earliest works includes a copy of the Virgin of the Green Cushion initially done by Andrea Solari, which Monier painted for Queen Marie. The Queen was so pleased with his works that she paid Monier a reasonable amount. Monier used the money to travel to Rome and Florence, where he became accustomed to the paintings of Nicolas Poussin. HE later returned to France and painted more work for Queen Marie. Monier also discovered a long-forgotten art of the Holy Family of Francis at the Chatter de Blois. His son Pierre also became a painter. Below are two of Monier's artistic works.

Danae

Paintings by Filippo de' Angeli

Angeli lived between 1600 and 1660as, an Italian painter of the Baroque era (Etro & Pagani, 2013). He was active in Naples and Florence and would paint battle scenes in small scenes. Below is an example of a battle scene that he painted.

Oil on oak panel

Canaletto, an Italian artist, used this technique to paint his works. His skills were nurtured by several other artists, including Giovanna Bellini, Gentile Bellini, and his father Bernado Canal, who were his curators (Fumagalli, 2019). He remained a Rococo painter despite the borrowings of skills from masters. Canaletto has a way of lighting the Italian landscapes to give an epic view. As a result, he remained a renowned artist for his loyalty to the Mediterranean tradition. Canaletto's work represents drama, velvety paintings, and skillful representation of nature, as shown in the portrait below.

Canaletto's works also fostered the Rococo movement, which refers to the use of small stones or pebbles for interior decorations. Rococo became relevant in the1700s overtaking the existing Baroque paintings. An example of Rococo art is shown below.

The Night Watch of c.1642

One of the most magnificent paintings of this era was done by Rembrandt van Rijn who lived between 1606 and 1669 (Fumagalli, 2019). Rijn was of Dutch origin and lived his life as a great Baroque painter, draftsman, and engraver. Rijn did not appreciate the nudity of bodies. His paintings involve a light touch of decorations made of jewels, satin, and armor. He had a precious perception of oriental kinds of stuff and vestments of the ecclesiastical origin. All his portraits were in full clothing, including paintings of him and his wife, Saskia. Below is a picture of the Night Watch, one of his greatest works of art.

The art of William Faithorne

Faithorne the Elder lived between 1616 and 16091 in London as an engraver and English painter (Etro & Pagani, 2013). His curator was William Peake, who worked in the king's service. He once accompanied Peake to the king's service during the civil war, an act that forced him into confinement at the Aldersgate. He was, however, allowed to pursue his passion as an engraver in which he did a small portrait of the first Duke of Buckingham, George Villiers. Below is one of his works.

References

Etro, F., & Pagani, L. (2013). The market for paintings in the Venetian Republic from Renaissance to Rococo. Journal of Cultural Economics, 37(4), 391-415 https://arca.unive.it/retrieve/handle/10278/39773/29772/JCE.pdf

Fumagalli, E. (2019). 7. Bolognese Paintings in Seventeenth-Century Medici Collections Reconsidered (1600-75). Reframing Seventeenth-Century Bolognese Art: Archival Discoveries, 139. https://scholar.google.com/scholar?q=related:fFt1kx14-RYJ:scholar.google.com/&scioq=paintings+of+1600&hl=en&as_sdt=0,5

https://www.jstor.org/stable/24246401